Essay name: Bhasa (critical and historical study)
Author: A. D. Pusalker
This book studies Bhasa, the author of thirteen plays ascribed found in the Trivandrum Sanskrit Series. These works largely adhere to the rules of traditional Indian theatrics known as Natya-Shastra.
Page 205 of: Bhasa (critical and historical study)
205 (of 564)
External source: Shodhganga (Repository of Indian theses)
Download the PDF file of the original publication
185
the news that Purusottama NÄrÄyaáša has arrived as an
envoy from the Pandavas, at which Duryodhana warns
the assembly not to pay any respect to the herdsman at
the risk of a fine. He finds a way to insult KášášŁáša by
engaging himself in looking at a picture scroll portraying
the indignity offered to Draupadi by snatching her hair
and apparel (DraupadikeĹÄm barÄkarᚣaáša).
The description shows the picture to be realistically and
minutely painted. At the entry of KášášŁáša in the Chamber,
all the assembly rises to honour him, and Duryodhana
himself being confused falls from his throne. The picture-
scroll is then taken away at the suggestion from KášášŁáša.
When KášášŁáša tells Duryodhana about the message from
PÄášá¸avas as to their share in the kingdom, the latter
criticizes them severely, and both KášášŁáša and Duryodhana
engage in some wordy war distinguished by severe
sarcasm and a desire to inflict personal insult. Duryodhana
orders his brothers, Sakuni and the kings assembled, to
put KášášŁáša under arrest, but none dares obey him. So
Duryodhana himself tries to bind KášášŁáša by nooses, but
on KášášŁáša assuming cosmic forms all his efforts prove
futile and impotent, and he walks away. KášášŁáša, however,
becomes too much enraged and calls SudarĹana, his
chief missile, to extirpate the Kauravas. SudarĹana
appears on the stage in human form, pays homage to
his master, and sets out to kill Duryodhana, but
remembers the great divine cause of killing a host of
sinners and tyrants and thus to lighten the burden of
the earth, to be served by KášášŁáša and tells the latter
Krsna
about it. KášášŁáša is pacified and asks SudarĹana to go to
his abode. Meanwhile all the other missiles of Krsna,
viz., ĹÄrnga (his bow), Kaumodaki (his mace),
PÄĂącajanya, (his conchshell), and Nandaka (his sword),
also appear on the stage and are told by SudarĹana to
return to their respective places, as KášášŁáša was no longer
wrathful and there was no necessity for the manifestation
of their valour. After their departure, Garuda appears
on the stage, but returns on being told of the pacification
of KášášŁáša's anger. SudarĹana also follows Garuda.
After SudarĹana has gone, KášášŁáša also sets out to go, but is
detained by the old king DháštarÄᚣášra, who falls at his feet
and thus honours the Lord. The usual epilogue brings
the play to its close.
