Essay name: Bhasa (critical and historical study)
Author: A. D. Pusalker
This book studies Bhasa, the author of thirteen plays ascribed found in the Trivandrum Sanskrit Series. These works largely adhere to the rules of traditional Indian theatrics known as Natya-Shastra.
Page 186 of: Bhasa (critical and historical study)
186 (of 564)
External source: Shodhganga (Repository of Indian theses)
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166
CARUDATTA AND MRCCHAKATIKA; DIFFERENT
RECENSIONS OF THE SAME PLAY?
That the plays are known by different titles is a
factor strongly against the above assumption. It is no
answer to say that 'Vatsarajacarita' is an alternative
title of the PratijñÄ. 'Vatsarajacarita' is known to be
a work of Sūdraka and it cannot be identified with the
anonymous PratijñÄ. Abhinavagupta gives it as an
alternative title for the Ratnavali in his Dhvanyalokalocana
(p. 162, KavyamÄla). Hence the Car and the Má¹›cch
also are distinct works. Rhetoricians down from VÄmana
distinguish between the Car and the Mrcch testifying
to their being different works.
Vamana has in all three quotations, viz. (V. 1. 3)
यासाà¤� बलिः [yÄsÄá¹� baliá¸� ] etc., (IV. 3.23) दà¥à¤¯à¥‚तं हि नाà¤� पà¥à¤°à¥à¤·à¤¸à¥à¤¯à¤¾à¤¸à¤¿à¤‚हासनà¤� राजà¥à¤¯à¤®à¥� | [dyÅ«taá¹� hi nÄma puruá¹£asyÄsiṃhÄsanaá¹� rÄjyam | ] and
(IV. 3.23) वà¥à¤¯à¤¸à¤¨à¤‚ हि नाà¤� सोचà¥à¤›à¥à¤°à¤¾à¤¸à¤‚ मरणमà¥� à¥�.
[vyasanaá¹� hi nÄma socchrÄsaá¹� maraṇam |.
] Of these the first,
as stated already, agrees more with the Car (I. 2) than
with the Mrcch (I. 9); the second one in the Mrcch
only (Act II, p. 38); and the last seems to be a
misquotation for दारिदà¥à¤°à¥à¤¯à¤‚ खलà¥� नाà¤� मनसà¥à¤µà¤¿à¤¨à¤ƒ पà¥à¤°à¥à¤·à¤¸à¥à¤¯ सोचà¥à¤›à¥à¤°à¤¾à¤¸à¤‚ मरणमà¥� à¥�
[dÄridryaá¹� khalu nÄma manasvinaá¸� puruá¹£asya socchrÄsaá¹� maraṇam |
] occurring only in the Car (p. 11). VÄmana, therefore,
seems to have been aware of both the versions, and is
possibly quoting from memory. Sūdraka's works are
further credited with having much śleṣa in them, "śleṣa
obviously referring to the intricate and subtle evolution
of the story and the plot". Thus VÄmana can be
shown to have knowledge of the Má¹›cch being an amplified
evolution of the Car by the infusion of the political plot.
Or the expression may refer to the śleṣa-guna that has
been incorporated into the other material by Sudraka
which also imputes knowledge to Vamana of both plays.
It is wrong to dismiss with scant courtesy the testimony
of VÄmana.³
Next, we come to Abhinavagupta who in his
Bharatanatyavedavivá¹›ti refers to a DaridracÄrudatta;
and RÄmacandra and Gunacandra, in their Natyadarpaṇa
mention DaridracÄrudatta and Má¹›cchakatika side by
side.*
1 That the PratijÃ±Ä is quite distinct from the Vatsarajacarita is evident from
Mr. Kavi's statement that the Vatsarajacarita by Sudraka will be published in the
Daksina BhÄratÄ« Series (JAHRS, 2, p. 143). 2 Ganapati Sastri, Critical Study
4 Cf. Sukthankar, JBRAS, 1925
p. 92.
p. 272.
3 Cf. Devdhar, Plays etc., p. 21..
