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at least, is a real tragedy, though Meerwarth would include
the Dgh and Dv in addition, under a 'Tragical Trilogy'."
The latter two cannot be called tragedies; though we cannot
go so far as to say, as Dr. Winternitz does, that they
are by a different author. It is not that Duryodhana
is depicted as an evil man in the Uru. In all
his dramas, Bh膩sa shows a soft corner for the fallen heroes
and especially he has painted Duryodhana as a real hero,
quite distinct from what we read about him in the Mbh.
His spirited reply to K峁涐梗峁嘺 as a messenger would serve as
the guiding principle for all times." Duryodhana is depicted
what a noble king ought to be like. Throughout in the
Uru we find that the poet is always sympathizing
with his hero, who is certainly Duryodhana, and he
pictures the conflict as of right with right, and that it
was not only inevitable but necessary in the ends of
justice.
Bhima's victory over Duryodhana in the gad膩yuddha
is due to the wiles of Krsna and we find that Duryodhana
fights righteously and that he was more adept in the
club-fight than Bhima. Next, Duryodhana evokes our
sympathy, when he, with his broken thighs restrains
Balarama who, in righteous indignation sets up to uproot
the Pandavas. Let the P膩峁囜笉avas remain, says he, to
offer us oblations." He gets shocks one after another when
he hears the queens lament ( 啶�啶ㄠ�嵿ぎ啶�啶距お啶� 啶膏�嵿い啷嵿ぐ啶苦く啷� 啶班�傕う啶ㄠ�嵿い啶� 啷� [yanmam膩pi striyo r奴danti | ] P. 101 ),
when the broken thighs prevent him from prostrating at
his father's feet, and when he has to refuse his thigh for a
seat to his son. The poet has portrayed Duryodhana as a
dutiful son, loving husband, affectionate father, and a
noble warrior. Though fallen, he is not crest-fallen, sees
nothing to repent and feels proud of the fact that he did
not show his back in war (aga: 1 st. 55). His
final advice to Durjaya (p. 109. 啶呧す啶�啶苦�� 啶�啶距ぃ啷嵿ぁ啶掂ぞ啶� 啶多�佮ざ啷嵿ぐ啷傕し啶�啶苦い啶掂�嵿く啶距�� 啷� )
[ahamiva p膩峁囜笉av膩岣� 艣u艣r奴峁�ayitavy膩岣� | )
] shows us that in his fall he finds purification. He
reaches a higher plane of morality. His soul is chastened
and subdued and cherishes the thought of peace and
6 1 JASB, 13, p. 274. 2 JRRI, 5, p. 6. In the next chapter we have refuted
Prof. M. Ramachandra Rao's view about the Karna and the Vent being tragedies.
We could not include the discussion here as we got the article from the learned
Professor rather late. 359 Do, St. 24: 啶班ぞ啶溹�嵿く啶� 啶ㄠぞ啶� 啶ㄠ�冟お啶距い啷嵿ぎ啶溹�堗�� 啶膏す啷冟う啶�啷堗�� [r膩jya峁� n膩ma n峁沺膩tmajai岣� sah峁沝ayai岣� ] etc. 4 Uru,
p. 94 : 啶膏�嵿さ啶�啷傕ぐ啷佮ぎ啶�啶苦す啶む�嵿く 啶曕ぞ啶�啶�啶� 啶膏�傕�溹�嵿�炧ぞ啶� 啶�啷嵿ぐ啶�啶氞�嵿�涏い啶� 啶溹え啶距ぐ啷嵿う啶ㄠ�� 啷� [svam奴rumabhihatya k膩mapi sa峁僯帽膩峁� prayacchati jan膩rdana岣� | ] st. 19: 啶膏�傕ざ啶苦�曕�嵿し啶苦い啷� 啶ㄠぐ啶�啶むた啶班�嵿が啶侧さ啶距�傕じ啷嵿い啷� 啶�啷�啶�啶� 啷�
[sa峁兣沬k峁�ito narapatirbalav膩峁僺tu bh墨ma岣� |
] 5 Tra, st. 31: 啶溹��啶掂え啷嵿い啷� 啶む�� 啶曕�佮ぐ啷佮�曕�佮げ啶膏�嵿く 啶ㄠた啶掂ぞ啶�啶�啷囙�樴ぞ啶� 啷� [j墨vantu te kurukulasya niv膩pamegh膩岣� | ] 6 脺ru, pp. 103-105.