Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楨xamples of Madhya Kalahantarita鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
Go directly to: Footnotes.
Part 6 - Examples of 惭补诲丑测腻 碍补濒补丑腻苍迟补谤颈迟腻
Examples of the 惭补诲丑测腻 variety of the 碍补濒补丑腻苍迟补谤颈迟腻 character of woman heroine:
啶掂た啶班ぎ啶むた 啶曕ぅ啶ㄠ 啶掂た啶ㄠぞ 啶� 啶栢啶︵ 啶膏い啶� 啶曕ぅ啶ㄠ 啶膏ぎ啷佮お啷堗い啶� 啶曕ぞ啶た 啶侧啷嵿啶� 啷�
啶囙い啶� 啶曕げ啶灌ぎ啶о啶啶栢 啶膏啷�啶啶 啶侧お啶苦い啷佮ぎ啶ㄠぞ啶侧お啶苦い啷佮 啶� 啶ㄠぞ啶啶距啷嵿啷嵿し 啷�viramati kathana峁� vin膩 na kheda岣� sati kathane samupaiti k膩pi lajj膩 |
iti kalahamadhomukh墨 sakh墨bhyo lapituman膩lapitu峁� ca n膩yak膩峁卥峁 ||[1]The 苍腻测颈办腻 cannot relieve herself of the agony without telling her friends about the fight with the hero. But, out of shyness she is unable to disclose. Yet wanting to tell she sits face downcast in front of her friends.
The following is also a similar verse. Here, the 苍腻测颈办腻 wants to tell her friends about the previous fight but finds it difficult:
啶ぇ啷嵿く啷囙じ啶栢啶溹え啶膏き啶� 啶曕げ啶灌ぞ啶た啶оぞ啶�-啶掂啶啷嵿ぐ啶� 啶膏啶 啶班い啷嵿く啶оぐ 啶忇さ 啶掂た啶多啶粪ぎ啶苦啷嵿啶ㄠ 啷�
啶曕ぃ啷嵿啷囙そ啶班啶椸げ啷�啶さ啶むた 啶曕ぞ啶た 啶曕啷嬥ぐ啶侧啷嵿啷嬥い啷嵿く啶о啶ㄠじ啷� 啶啶むた 啶氞た啶む啶班た啶む啶苦い啷嵿い啶掂啶む啶むた啶� 啷�madhyesakh墨janasabha峁� kalah膩bhidh膩na-vyagra岣� sphu ratyadhara eva vi艣e峁micchan |
ka峁囜弓he'rgal墨bhavati k膩pi ka峁環oralajjotyadh墨nasau bhajati citritacittav峁泃ti岣� ||[2]
Footnotes and references:
[1]:
搁补蝉补尘补帽箩补谤墨, l. 132.
[2]:
The 艢峁涐箙g膩ras膩rini, cxv. 40.