Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楿ttama, Madhyama and Adhama of Khandita鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
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Part 13 - 鲍迟迟补尘腻, 惭补诲丑测补尘腻 and Adham膩 of 碍丑补峁囜笉颈迟腻
Examples of 鲍迟迟补尘腻, 惭补诲丑测补尘腻 and Adham膩 of the 碍丑补峁囜笉颈迟腻 character of woman heroine:
啶栢ぃ啷嵿ぁ啶苦い啶距く啶距啶曕ぅ啶た啶むた啶氞啶む啶ㄠぞ啶啶距お啶班ぞ啶оぞ啶оた啶曕啶啶曕た啶� 啶氞た啶む啶曕啶啶距ぐ啶苦ぃ啷嵿く啷佮い啷嵿い啶ぞ 啷�
啶ㄠぞ啶啶距お啶班ぞ啶оじ啶︵啶多啷嬥お啶曕ぞ啶班た啶｀ 啶ぇ啷嵿く啶ぞ 啷� 啶ㄠぞ啶啶距お啶班ぞ啶оぞ啶оた啶曕啷嬥お啶曕ぞ啶班た啶｀ 啶呧ぇ啶ぞ 啷�kha峁囜笉it膩y膩峁僰athamiticetn膩yak膩par膩dh膩dhikyeki峁� citkopak膩ri峁噛耻迟迟补尘腻 |
n膩yak膩par膩dhasad峁浥沘kopak膩ri峁嚹� 尘补诲丑测补尘腻 | n膩yak膩par膩dh膩dhikakopak膩ri峁嚹� 补诲丑补尘腻 |[1]Depending on the extent of the mistake committed by the lover, if the 苍腻测颈办腻鈥檚 anger is less, then she is an 耻迟迟补尘腻, if her anger is justified, she is a 尘补诲丑测补尘腻 and if she is very angry, she is known to be an 补诲丑补尘腻.
Footnotes and references:
[1]:
艢峁涐箙驳腻谤补尘补帽箩补谤墨, 40.