Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楨xamples of Parakiya Khandita鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
Go directly to: Footnotes.
Part 9 - Examples of 笔补谤补办墨测腻 碍丑补峁囜笉颈迟腻
Examples of the 笔补谤补办墨测腻 variety of the 碍丑补峁囜笉颈迟腻 character of woman heroine:
啶曕ぞ啶ㄠ啶む 啶掂た啶啷嵿し啶掂え啶苦い啶距さ啶侧く啶距啷嵿啶苦い啶距啷嵿啶� 啶ㄠ啶 啶掂い啷嬥お啶︵た啶多い啷�啶むた 啶啶多 啶掂た啶侧啶曕啶� 啷�
啶氞啷嵿啶氞啶氞啷嬥ぐ啶ㄠく啶ㄠぞ啶ㄠ啶むえ啶苦い啶距え啷嵿い啶多啶｀ぞ 啶︵啶む啶啶栢 啶掂た啶ㄠた啶灌た啶むぞ啶� 啶栢げ啷� 啶ㄠ啶む啶班啷嬥ぃ啶距 啷�k膩nta峁� vipak峁vanit膩valay膩峁卥it膩峁単a峁� neya峁� vatopadi艣at墨ti bh峁浥沘峁� vilokya |
ca帽caccakoranayan膩ntanit膩nta艣o峁嚹� 诲奴迟墨mukhe vinihit膩岣� khalu netrako峁嚹佱弗 ||[1]Seeing intently the hero with the marks of the bangle of the rival woman, the 苍腻测颈办腻 with eyes like the cakora saw her friend through sidelong glances.
啶曕ぞ啶ㄠ啶む 啶ㄠた啶班啶曕啶粪啶� 啶掂げ啶ぞ啶權啶曕た啶む啶｀啶犩う啷囙ざ啶� 啶啶曕啶むぞ 啶膏啶むく啶� 啶ぐ啶た啶ぞ 啶ぐ啷佮し啶� 啶� 啶掂ぞ啶氞 啷�
啶︵啶む啶啶栢 啶啶椸う啷冟ざ啶� 啶膏啶栢げ啶︵ぎ啷嵿が啷佮お啷傕ぐ啶� 啶︵啶班ぞ啶む啶ぐ啶� 啶班啶班啶оた啶班 啶ㄠく啶ㄠぞ啶ㄠ啶むお啶距い啶距 啷�k膩nta峁� nir墨k峁a valay膩峁卥itaka峁囜弓hade艣a峁� mukt膩 stay膩 parabhiy膩 paru峁Ｄ� na v膩ca岣� |
诲奴迟墨mukhe m峁沢ad峁浥浤� skhaladambup奴r膩 d奴r膩tpara峁� rurudhire nayan膩ntap膩t膩岣� ||[2]Even after seeing the imprint of the bracelet of another woman on his neck, the 苍腻测颈办腻 did not speak harsh words out of fear of being heard by others; instead she looked at the 诲奴迟墨 with side long glances flooding with tears. [Fear of other鈥檚 hearing her is indicative of the secretive nature of the 笔补谤补办墨测腻]
Footnotes and references:
[1]:
搁补蝉颈办补箩墨惫补苍补, lxiii. 11.
[2]:
搁补蝉补尘补帽箩补谤墨, xlvii. 128.