Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楧ifference between a Virahotkanthita and a Proshitapatika鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
Go directly to: Footnotes.
Part 4 - Difference between a 痴颈谤补丑艒迟办补峁囜弓丑颈迟腻 and a 笔谤辞峁迟补辫补迟颈办腻
Often there is misconception that probably a 痴颈谤补丑艒迟办补峁囜弓丑颈迟腻 and a 笔谤辞峁迟补辫补迟颈办腻 overlap each other. Many a times it is asked as to why is not a 笔谤辞峁迟补辫补迟颈办腻 a division of 痴颈谤补丑艒迟办补峁囜弓丑颈迟腻.
啶じ啷嵿く啶� 啶膏ぎ啷佮啶苦い啷囙そ啶啶す啷嵿え啶� 啶啶班さ啶距じ啷� 啶ㄠ啶むた 啶掂げ啷嵿げ啶 啷� 啶掂た啶班す啷嬥い啷嵿啶｀啶犩た啶むぞ 啶膏ぞ 啶む... 啷啶椸啶侧_啶ㄠ啶む:啷┼ク啷︵キ啷ォ:}
yasy膩 samucite'pyahni prav膩s墨 naiti vallabha岣� | 惫颈谤补丑辞迟办补峁囜弓丑颈迟腻 s膩 tu... ||[1]
The heroine, whose husband has gone abroad and has not returned even after the stipulated time, is a 痴颈谤补丑辞迟办补峁囜弓丑颈迟腻. Here, the mention of her husband gone abroad indicates her to be a 笔谤辞峁迟补辫补迟颈办腻 previously.
Major differences鈥�
| 痴颈谤补丑艒迟办补峁囜弓丑颈迟腻 | 笔谤辞峁迟补辫补迟颈办腻 |
| Is expecting her hero | Does not expect him in the near future. |
| Unaware of the reason for separation | Aware of the reason for their separation-travel |
| Does not know the time of arrival as it has long crossed. | Knows the expected time of arrival yet misses him |
| She could doubt him (could be otherwise too) | She might not doubt him (could be otherwise too) |
| Often in examples the hero is seen with another lady leaving the anxious 苍腻测颈办腻 in lurch yearning for him | Many a times the 狈腻测补办补 is seen as an 础苍耻办奴濒补 苍腻测补办补 |
| This 苍腻测颈办腻 could be a continuation of a 笔谤辞峁迟补辫补迟颈办腻 |
Footnotes and references:
[1]:
厂补谤补蝉惫补迟墨办补峁囜弓丑腻产丑补谤补峁嘺尘, 3:V. cxx. 930.