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Essay name: Arts in the Puranas (study)

Author: Meena Devadatta Jeste
Affiliation: Savitribai Phule Pune University / Bhandarkar Oriental Research Institute Pune

This essay studies the Arts in the Puranas by reconstructing the theory of six major fine arts—Music, Dance, Architecture, Sculpture, Painting, and Literature—from the Major and Minor Puranas. This thesis shows how ancient sages studied these arts within the context of cultural traditions of ancient India.

Chapter 6 - Literature in the Puranas

Page:

28 (of 59)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Copyright (license):

Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 28 has not been proofread.

314
- ALAMKARAS Like Bharata, Bhāmaha, Dandin, Udbhata, Rudrata and other rhetoricians the Agni Purana gives an elaborate description of the Alankaras (Embellishments or Ornaments). This Alankara portion of the Agni Purana is influenced by Dandin's Kavyadarsa and Bhamaha's Kavyalankara. The definitions of many Alankaras are similar. Not only that, some definitions agree verbatim with the definitions in these two works. The Agni Purana draws upon Bhoja also. Alankaras are defined as the attributes which heighten or enhance the beauty of the Kavya sarira.72 It corresponds 73 literally with the definition in the Kavyadarsa. Generally,
the Alaṃkāras are classified into the Sabdalankaras and the
Arthalaṃkāras. The Agni Purana accepts Bhoja's three classes
of Alamkāras, Sabda, Artha and Ubhaya. Bhoja has discussed
24 Sabdāla kāras. The Purana takes only nine of them.
74 Chaya, Mudra, Ukti, Yukti, Gumphanā, Vākovākya, Anuprāsa,
75 Citra and Duskara. Four varieties are given of the alaṃkāra
Chaya,
Loka, Cheka, Arbhaka, and Matta-ukti. Following Bhoja,
the Purana gives six varieties of Ukti and Yukti. The
Natya sastra and the Kavyadarsa do not include Anuprāsa in the
list of the Sabdalamkaras. The Agni Purana has classified
the alankara Anupra sa into five varieties which are dependent
on the five Vrttis called Madhura, Lalita, Praudha, Bhadrā
and Parusa. Bhāmaha mentions only two types viz. Chekānuprāsa
and Latanuprāsa. Udbhata admits three more, based on the three

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