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Essay name: Arts in the Puranas (study)

Author: Meena Devadatta Jeste
Affiliation: Savitribai Phule Pune University / Bhandarkar Oriental Research Institute Pune

This essay studies the Arts in the Puranas by reconstructing the theory of six major fine arts—Music, Dance, Architecture, Sculpture, Painting, and Literature—from the Major and Minor Puranas. This thesis shows how ancient sages studied these arts within the context of cultural traditions of ancient India.

Chapter 4 - Sculpture in the Puranas

Page:

43 (of 64)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Copyright (license):

Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 43 has not been proofread.

220
- at Mathura. Several good sculptures of Kartikeya have been found His other forms like Kumāra, Visakha and Skanda also seem to have been quite popular during the Ausana period. The number of images increased in the Gupta period. The image of Kartikeya is shown as a two-armed figure, holding the right hand in Abhayamudra and Sakti in the left hand. Sometimes a 46 cock and sometimes a peacock are depicted as his vahanas.
His characteristic emblem Sakti, Kukkuta and sikhi seem to have
been associated from a very early period on the coins also. A
four-armed figure is found in Ellora relief and one of the left
hands holds a oock. T.A.G. Rao has reproduced various bronze
and stone images of Subramanya.
SARASVATT
Sarasvati is the goddess of learning and music. She is
referred to in the Rgveda as a river, on the banks of which
Vedic learning developed. She is also identified with speech
('Vag vai Sarasvati'). In the popular Hindu mythology she is
known as Vägdevi (the goddess of speech). The Puranas gave her
an iconographical form. In the later mythology, she is
sometimes connected with Brahma (both as his daughter and as
his wife) and at other times with Vism as Pusti.
As is stated above in the description of the image of
Brahma, both the Agni and the Matsya Purana mention that the
image of Sarasvati and Savitri should be respectively at the
left and right sides of the Brahma's image. According to Matsya
Purana Chapter 261. 24, Brahmani should be made like Brahma

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