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HISTORY OF AUCITYA IN SANSKRIT POETICS 249 which is pointed out by all writers from Bh膩maha and Da峁囜笉in,
which is part of Aucitya, and can be said to be generally in-
cluded in Prak峁泃yaucitya itself which is as old as Bharata or can
be separately called as Lokasvabh膩uaucitya. The Pratibh膩u-
citya given by K峁�emendra concerns with the minor 'fancies'
and not with poetic imagination or genius as a whole. Simi-
larly innumerable items of Aucitya can be elaborated and so
does Ksemendra say in the end : '啶呧え啷嵿く啷囙し啷� 啶曕ぞ啶掂�嵿く啶距�權�嵿�椸�囙し啷� 啶呧え啶�啷堗�� 啶︵た啶多ぞ
啶膏�嵿さ啶�啶�啷屶�氞た啶む�嵿く啶�啷� 啶夃い啷嵿お啷嵿ぐ啷囙�曕�嵿し啶｀��啶�啶�啷� 啷� 啶むう啷佮う啶距す啶班ぃ啶距え啷嵿く啶距え啶ㄠ�嵿い啷嵿く啶距い啷� 啶� 啶�啷嵿ぐ啶︵ぐ啷嵿ざ啶苦い啶距え啷�啶む�嵿く啶侧ぎ啶む�� -
[anye峁�u k膩vy膩峁単e峁�u anayaiva di艣膩
svayamaucityam utprek峁�a峁嚹珁am | tadud膩hara峁嚹乶y膩nanty膩t na pradar艣it膩n墨tyalamati -
] p. 60. As for instance, the propriety of metre,
V峁泃taucitya, is an interesting study. Bharata has spoken of
it in his chapters on V峁泃tas and Dhruv膩s, xvi and xxxii.
Abhinavagupta quotes in his Abhi. Bh膩. K膩ty膩yana, an old
writer on metres, on the appropriateness of certain metres to
certain subjects, moods and situations.
啶掂��啶班じ啷嵿く 啶�啷佮�溹う啶｀�嵿ぁ啶距え啶距�� 啶掂ぐ啷嵿ぃ啶ㄠ�� 啶膏�傕�椸�嵿ぇ啶班�� 啶�啶掂�囙い啷� 啷� [v墨rasya bhujada峁囜笉膩n膩峁� var峁嘺ne sa峁僩dhar膩 bhavet | ] etc.
K峁�emendra reserves this subject for special treatment in his
Suv峁泃tatilaka. (Viny膩sa iii. S'ls. 7-16).
啶曕ぞ啶掂�嵿く啷� 啶班じ啶距え啷佮じ啶距ぐ啷囙ぃ 啶掂ぐ啷嵿ぃ啶ㄠぞ啶ㄠ�佮�椸�佮ぃ啷囙�� 啶� 啷�
[k膩vye ras膩nus膩re峁嘺 var峁嘺n膩nugu峁噀na ca |
] zafa g芒yanai fafazi矛i faumfaa ||
啶掂�冟い啷嵿い啶班い啷嵿え啶距さ啶侧�� 啶曕ぞ啶�啶距�� 啶呧じ啷嵿ぅ啶距え啷� 啶掂た啶ㄠた啶掂�囙ざ啶苦い啶� 啷�
啶曕ぅ啶�啶む�嵿く啶溹�嵿�炧い啶距ぎ啷囙さ 啶�啷囙�栢げ啷囙さ 啶椸げ啷� 啶曕�冟い啶� 啷むイ [v峁泃taratn膩val墨 k膩m膩da asth膩ne vinive艣it膩 |
kathayatyaj帽at膩meva mekhaleva gale k峁泃膩 || ] etc.
K峁�emendra then goes to explain with illustrations what situ-
ations and subjects should be depicted in what metres.
Though there is bound to be a large amount of subjectivism
1 Vide Journal of Oriental Research, Madras, Vol. VI, Part III,
p. 223, my article on Writers Quoted in the Abi. Bh膩rati.