Vastu-shastra (Introduction to Indian architecture)
by D. N. Shukla | 1960 | 196,891 words | ISBN-10: 8121506115 | ISBN-13: 9788121506113
This page describes The Architecture (Sthapatya) of the study on Vastu-Shastra (Indian architecture) first part (Fundamental Canons/Literature). It discusses basic concepts such as the philosophy, astronomy, geography and history of Hindu Architecture. Vastushastra can be traced to ancient literature while this thesis also reveals details regarding some of the prime canonical works.
(ii) The Architecture (ٳ貹ٲⲹ)
The subject matter of the science of architecture from the standpoint of an architect, Sthapati has already been elucidated in the previous pages, but in continuation of the chapter, 44 of the ṅgṇaūٰ chapter 45th entitled �ṣṭṅg-ṣaṇa� (sec also V.L.) gives the following constitution of the ٳ-śٰ from the standpoint of an art of Sthapati, the ٳ貹ٲⲹ (sthapate� ida� sthāpatyam) and the ٳ貹ٲⲹ is synonymous with the science of architecture.
Architecture is what the architect makes:
“This four-fold ٳ貹ٲⲹ�(as described in the previous chapter)�Śٰ, Karma, ʰñ and Śī—is now being described with its eight-fold limbs� (45-1).
Among them the first and foremost is the settling and forming (վ첹貹) of the ٳ-ܰṣa. This is the first limb of the body of Hindu Architecture. It is pre-requisite of all architectural work, sacred and domestic, religious and civil. The second limb consists of the planning of town, door-work, laying out of the roads, the planning of fortification, the enclosure, the ʰ, etc., the ṭṭ첹 together with the layout of the lanes, bylanes and the plotting out the whole area of the habitation of men and dedication to gods. The third limb is represented by only one subject—t architecture of Hindu-temple—t ʰ岹, being the foremost planning of Hindu Architecture. The 4 th, 5th and 6th are the raising of the Indra’s flag, the Royal palace with its paraphernalia of kingly establishments, the planning of the residential houses caste-wise and professionwise respectively. The seventh limb, spoken of, is the measurement of a sacrificer’s shed, the sacrificial altar and the procedure of the ṭidz. The eighth, the last one, represents the planning of the forts and camps of kings, the encampments (ibid 2-9).
This is the ṅgṇaūٰ’s conception of a Sthapati and the ٳ貹ٲⲹ, his art. It is in keeping with the etymological meaning of the word sthapati—master of what stands or abides. This again is the implication as to why the science of architecture�ٳ-Śٰ is also called the ٳ貹ٲⲹ-śāstra. Both are complementary to each other.
In the end, I may just make a few remarks regarding its place i� the ancient sacred lore of India. ٳ-Śٰ, the science of architecture, does not find a place in the traditional list of sacred lore, the վ-sthānāni. It does not, therefore, mean that it was not a վ in the traditionally accepted sense of the term. It was part of the Veda, the primordial knowledge. We arc all familiar that the Vedas had their Upavedas too. ٳ貹ٲⲹ-śāstra is one of the Upavedas, the auxiliary parts of the Veda. It was recounted as an applied knowledge subordinated to Atharava Veda just as Ayur-Veda is attached to ṻ-ձ岹, Dhanur-Veda attached to Yajur-Veda and Ի-ձ岹 attached to 峾-岹. Prof. Stella Kramrisch has very aptly brought out this ancient character of the science (see H. Temple p. 11): �Vastu-śāstra in. its fullest exposition belongs to Tantra which is the applied knowledge of the Atharva-veda. As a ritual, architecture is moreover doubly linked with the primordial knowledge, i.e. the Veda and is included i� two of the six ձṅg, These are appendices which are auxiliary to Veda. The fifth ձṅg—aٰDzԴdz-ٰDZDz, dzپṣa and the sixth ձṅg, Kalpa, in which are laid down the rules of the sacrificial acts, the ritual, are both in parts, essential constituents of the science of Indian architecture. The śܱ-ūٰ contained in the 貹-ūٰ, represent the rules and give proportionate measurements for laying out and piling up the Vedic altar. On them basically rests the building of the Hindu Temple�. The Sarnarāṅgaṇa was fully conscious of this traditional character of the ٳ貹ٲⲹ. Accordingly it, in its chapter tenth entitled, �ʳܰԾś�, (cf. 77th verse), enumerates the fourfold ٳ貹ٲⲹ by the side of the other Upavedas like eightfold medicine—t Āܰ岹; seven-fold Military Science—t Dhanur-veda and the science of luminaries—t dzپṣa Upaveda (the astronomy-astrology), and it also hints at the common founder of all those—t Creator , the lotus-housed one.