Sahitya-kaumudi by Baladeva Vidyabhushana
by Gaurapada D膩sa | 2015 | 234,703 words
Baladeva Vidyabhusana鈥檚 Sahitya-kaumudi covers all aspects of poetical theory except the topic of dramaturgy. All the definitions of poetical concepts are taken from Mammata鈥檚 Kavya-prakasha, the most authoritative work on Sanskrit poetical rhetoric. Baladeva Vidyabhushana added the eleventh chapter, where he expounds additional ornaments from Visv...
Text 10.234
(2) [One entity is in many places simultaneously:]
啶班ぞ啶оぞ啶椸啶班い啶多 啶� 啶啶班い啷嬥そ啶た 啶� 啶ぞ啶班啶多啶掂い啶多 啶� 啶多啶班啶む啶班 啶� 啶氞啷嵿し啷佮し啶� 啶� 啶掂ぞ啶氞た 啶� 啶ぞ啶ㄠじ啷� 啶� 啷�
啶曕啶ㄠぞ啶о啶掂え啷堗し 啶う啶ㄠ 啶灌啶︵た 啶 啶啶班さ啶苦ざ啷嵿く 啶ぞ啶� 啶灌え啷嵿い啶� 啶灌え啷嵿い 啶曕た啶 啶囙く啶� 啶� 啶ㄠた啶班ぞ啶氞啶距ぐ 啷�
谤腻诲丑腻grata艣 ca purato'pi ca p膩r艣vata艣 ca 艣谤辞迟谤别 ca 肠补办峁峁 ca 惫腻肠颈 ca 尘腻苍补蝉别 ca |
ken膩dhvanai峁 madano h峁沝i me 辫谤补惫颈艣测补 m膩峁� hanti hanta kim iya峁� na nir膩cak膩ra ||
谤腻诲丑腻鈥搁腻诲丑腻; 补驳谤补迟补岣�鈥攊n front; ca鈥攁苍诲; 辫耻谤补迟补岣�鈥攊n front; api鈥攁濒蝉辞; ca鈥攁苍诲; 辫腻谤艣惫补迟补岣�鈥攐n the side; ca鈥攁苍诲; 艣谤辞迟谤别鈥攊n the ears; ca鈥攁苍诲; 肠补办峁峁鈥攊n the eyes; ca鈥攁苍诲; 惫腻肠颈鈥攊n the speech; ca鈥攁苍诲; 尘腻苍补蝉别鈥攊n the heart; ca鈥攁苍诲; kena鈥攂y which; 补诲丑惫补苍腻鈥� path; 别峁岣�鈥攖丑颈蝉; 尘补诲补苍补岣�鈥擟耻辫颈诲; h峁沝i me鈥攊n My heart; 辫谤补惫颈艣测补鈥攁蹿迟别谤 entering; 尘腻尘鈥攎别; hanti鈥攈耻谤迟蝉; hanta鈥攁濒补蝉; kim鈥攚丑测; iyam鈥掷丑别; na nir膩cak膩ra鈥攄id not drive away.
R膩dh膩 is in front of Me; She is at My side, and behind Me too. She is in My ears, in My eyes, in My speech and in My heart. Gosh, by which path has Cupid entered My heart to torment Me? And why hasn鈥檛 She driven him away? (础濒补峁卥腻谤补-办补耻蝉迟耻产丑补 8.287)
pary膩ye kram膩d ekasy膩nekatra v峁泃tir iha tu yugapad iti bheda岣�.
The difference between 惫颈艣别峁 and 辫补谤测腻测补 (sequence) (10.168) is that in 辫补谤测腻测补 one entity is in more than one place in succession, whereas in 惫颈艣别峁, one entity is in more than one place at the same time.
Commentary:
This is 闯补驳补苍苍腻迟丑补鈥檚 illustration:
nayane sud峁浥浤佱箖 puro rip奴峁嚹佱箖 vacane va艣ya-gir膩峁� mah膩-kav墨n膩m |
mithil膩-pati-nandin墨-bhuj膩nta岣thita eva sthitim 膩pa r膩ma-candra岣� ||鈥淓ven while being in 厂墨迟腻鈥檚 arms, 搁腻尘补肠补苍诲谤补 was in the mental eye of beautiful women, in the thoughts of enemies, and in the language of great poets who master words鈥� (Rasa-驳补峁単腻诲丑补谤补, KM p. 457).
This is Mamma峁璦鈥檚 example:
s膩 vasati tava h峁沝aye saiv膩k峁ａ箛o岣� saiva vacane峁 |
asm膩d峁浥浤佱箖 sundara avak膩艣a岣� kutra p膩p膩n膩m || (Sanskrit rendering)鈥淏eautiful man, she abides in your heart, in your eyes and in your speech. How could she possibly find an opportunity to be in the minds of imperfect beings like us?鈥� (碍腻惫测补-辫谤补办腻艣补 verse 560)