Sahitya-kaumudi by Baladeva Vidyabhushana
by Gaurapada Dāsa | 2015 | 234,703 words
Baladeva Vidyabhusana’s Sahitya-kaumudi covers all aspects of poetical theory except the topic of dramaturgy. All the definitions of poetical concepts are taken from Mammata’s Kavya-prakasha, the most authoritative work on Sanskrit poetical rhetoric. Baladeva Vidyabhushana added the eleventh chapter, where he expounds additional ornaments from Visv...
Text 10.166
क्रमेणोदाहरणम्,
अरुण� � तरुण� नयने तव मलिन� � प्रियस्य मुखम� �
मुखम� आनतं � सख� ते ज्वलितश् चास्यान्तर� ज्वलनः �
ṇoṇa,
ṇe ca ٲṇi nayane tava malina� ca priyasya mukham |
mukham ānata� ca sakhi te jvalitaś cāsyāntare ᱹԲ� ||
ṇe—are red; ca—aԻ; ٲṇi—O youthful woman; nayane—two eyes (or when the eye); tavaЯdzܰ; malinam—gǴdz; ca—aԻ; priyasya—of the male lover; mukham—t face; mukham첹; Բٲ—was bowed; ca—aԻ; sakhi teЯdzܰ; ᱹٲ�—b; ca—aԻ; asya antare—in his inside; ᱹԲ�쾱.
The face of your beloved became gloomy right when your eyes turned red. And when, ī, you bowed your face, then the fire of love blazed anew in his heart. (ٲⲹ-岹貹ṇa 10.85)
atra pūrvārdhe guṇayor yaugapadya� parārdhe tu kriyayo�.
In the first sentence, two qualities simultaneously take place. In the second sentence, two actions simultaneoulsy occur.