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[Full title: Kalyana Sundara, Vijayanagara, Lepakshi, 16th century]

The scene of 艢颈惫补 as 碍补濒测腻峁嘺蝉耻苍诲补谤补 (Kalyana-sundara), with 笔腻谤惫补迟墨 as his bride. There is a gathering of sages and women. 叠谤补丑尘腻 officiates as priest. This may be compared with a similar one from the ceiling of the 狈腻峁瓂补尘补峁囜笉补辫补. In the Vijayanagara period, the marriage of 搁腻尘补 and 厂墨迟腻, 顿谤补耻辫补诲墨 and Arjuna, 艢颈惫补 and 笔腻谤惫补迟墨, all become a type with 办补濒辫补惫峁沰峁�a tree in between the bride and groom assuring them the most pleasing married life with all that desire can wish for assured for them. [...]

Again it becomes a little more stylised in the Gurjara 笔谤补迟墨丑腻谤补 sculpture from 搁腻箩补蝉迟丑腻苍 of the ninth century now in the National Museum and a similar one but with a larger group composed from the Bh膩rat 碍腻濒补 Bhawan of the tenth century A.D. 碍补濒测腻峁嘺蝉耻苍诲补谤补 in metal with 痴颈峁ａ箛耻 and 尝补办峁�m墨 giving her away to 艢颈惫补 is a magnificent Chola bronze in the Ta帽j膩vur Art Gallery.

Gallery information:

This plate is contained in the book 鈥淰ijayanagara Paintings鈥�, a valuable aid to the understanding of Indian iconography (also known as 艣颈濒辫补艣腻蝉迟谤补). The Vijayanagara empire was established in 1335 by Harihara, Harihara, Ka峁僷a and Bukka (sons of Sa峁単ama) and grew to be a dominant power in the South. Painting has been considered in the Citras奴tra of the 痴颈峁ａ箛耻dharmottara, the early standard text on painting, as the premier art.