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Vyabhicarin, ղⲹ󾱳: 11 definitions

Introduction:

Vyabhicarin means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.

Alternative spellings of this word include Vyabhicharin.

In Hinduism

Natyashastra (theatrics and dramaturgy)

[«𱹾dzܲ Ա»] � Vyabhicarin in Natyashastra glossary
Source: Wisdom Library: Nāṭya-śāstra

ղⲹ󾱳 (व्यभिचारिन�) refers to “transitory state�. The term is used throughout ṭyśٰ literature.

It is of thirty-three types:

  1. nirveda (discouragement),
  2. Ծ (weakness),
  3. śṅk (apprehension),
  4. ś (weariness),
  5. dainya (depression),
  6. augrya, ܲ (cruelty),
  7. Գ (anxienty),
  8. ٰ (fright),
  9. īṣy, ū (envy),
  10. ṣa (indignation),
  11. garva (arrogance),
  12. ṛt (recollection),
  13. ṇa (death),
  14. mada (intoxication),
  15. supta (dreaming),
  16. Ծ (sleaping),
  17. vibodha (awakening),
  18. īḍ� (shame),
  19. (epilepsy),
  20. moha (distraction),
  21. mati (assurance),
  22. , (indolence),
  23. 屹𲵲 (agitation),
  24. tarka (deliberation),
  25. 󾱳ٳٳ (dissimulation),
  26. (sickness),
  27. ܲԳ岹 (insanity),
  28. ṣād (despair),
  29. utsuka, autsukya (impatience),
  30. capala, (inconstancy).

According to the Daśarūpa 4.8, “The Transitory States (ⲹ󾱳, sc. ) are those that especially accompany the Permanent State in co-operation, emerging from it and [again] being submerged in it, like the waves in the ocean.�

Natyashastra book cover
context information

Natyashastra (नाट्यशास्त्र, ṭyśٰ) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

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Vaishnavism (Vaishava dharma)

[«𱹾dzܲ Ա»] � Vyabhicarin in Vaishnavism glossary
: Pure Bhakti: Jaiva-dharma

ղⲹ󾱳 (व्यभिचारिन�) or Vyabhicārī or Sañcārī refers to one of the four ingredients of rasa.—There are thirty-three ⲹ󾱳ī-屹s. Vi means ‘distinctly�, Abhi means ‘towards�, and Cārī means ‘moving�. These thirty-three 屹s are called ⲹ󾱳ī because they move distinctly towards the sthāyī屹. They are also called sañcārī-屹s, because they are communicated through words, limbs, and sattva, and thus travel (ñٲ) throughout the system. They are like waves in the nectar ocean of the sthāyī屹, for they rise up, causing it to swell, and then they merge back into the ocean again.

The thirty-three sañcārī-屹s are:

  1. regret or indifference (nirveda),
  2. despair (ṣād),
  3. humility (dainya),
  4. physical and mental debility (Ծ),
  5. fatigue (ś),
  6. intoxication (mada),
  7. pride (garva),
  8. suspicion (śṅk),
  9. fear (ٰ),
  10. agitation (屹𲵲),
  11. madness (ܲԳ岹),
  12. absence of mind (apaṛt),
  13. disease (),
  14. fainting or delusion (moha),
  15. death (ṛt),
  16. laziness (),
  17. inertness (ḍy),
  18. bashfulness (īḍ�),
  19. concealment of emotions (󾱳ٳٳ),
  20. remembrance (ṛt),
  21. deliberation or reasoning (vitarka),
  22. anxiety (Գ),
  23. resolve or wisdom (mati),
  24. fortitude (ṛt),
  25. jubilation (󲹰ṣa),
  26. ardent desire (ܳٲܰ첹),
  27. ferocity (augrya),
  28. impatience and indignation (ṣa),
  29. envy (ū),
  30. restlessness (貹ⲹ),
  31. sleep (Ծ)
  32. deep sleep (supti),
  33. awakening (bodha).

Some sañcārī-屹s are independent (svatantra), and some are dependent (paratantra). There are two types of dependent sañcārī-屹s: superior (vara) and inferior (avara). The superior category is also divided into two types, namely direct (ṣāt) and separated, or secondary (vyavahita). The independent sañcārī-屹s are divided into three types: those that are devoid of Rati (پ-śūԲⲹ); subsequently contacting Rati (پ-Գܲ貹śԲ); and having a trace of Rati (rati-gandha).

Vaishnavism book cover
context information

Vaishnava (वैष्णव, vaiṣṇava) or vaishnavism (vaiṣṇavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnu�).

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Vyakarana (Sanskrit grammar)

[«𱹾dzܲ Ա»] � Vyabhicarin in Vyakarana glossary
: Wikisource: A dictionary of Sanskrit grammar

ղⲹ󾱳 (व्यभिचारिन�).—Deviating, being irregular in application, not applying necessarily: cf अभ्रशब्दस्यांपूर्वनिपातस्य लक्षणस्य व्यभिचारित्वात� (abhraśabdasyāṃpūrvanipātasya lakṣaṇasya vyabhicāritvāt).

Vyakarana book cover
context information

Vyakarana (व्याकर�, vyākaraṇa) refers to Sanskrit grammar and represents one of the six additional sciences (vedanga) to be studied along with the Vedas. Vyakarana concerns itself with the rules of Sanskrit grammar and linguistic analysis in order to establish the correct context of words and sentences.

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Languages of India and abroad

Sanskrit dictionary

[«𱹾dzܲ Ա»] � Vyabhicarin in Sanskrit glossary
: DDSA: The practical Sanskrit-English dictionary

ղⲹ󾱳 (व्यभिचारिन�).�a.

1) Straying or deviating from, going astray, erring, trespassing; निगृह्� दापयेच्चैन� समयव्यभिचारिणम� (nigṛhya dāpayeccaina� samayavyabhicāriṇam) Manuṛt 8.22.

2) Irregular, anomalous.

3) Untrue, false; see अव्यभिचारिन् (aⲹ󾱳).

4) Faithless, unchaste, adulterous.

5) Profligate, wanton.

6) Departing from its usual meaning, having several secondary meanings (as a word).

7) Changeable, inconstant; नात्मा जजान � मरिष्यति नैधतेऽसौ � क्षीयत� सवनविद्व्यभिचारिणा� हि (nātmā jajāna na mariṣyati naidhate'sau na kṣīyate savanavidvyabhicāriṇāṃ hi) Bhāgavata 11.3.38. -m.,

-vyabhicāri屹� A transitory feeling, an accessory (opp. ٳ⾱ or sthāyi屹 q. v.). (Though like the Sthāyi屹s these accessories do not form a necessary substratum of any rasa, still they act as feeders to the prevailing sentiment, and strengthen it in various ways, whether openly or covertly. They are said to be 33 or 34 in number; for an enumeration of these, see K. P. Kārikās 31-34, S. D.169 or R. G. first Ānana; cf. vi屹 and sthāyi屹 also).

: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary

ղⲹ󾱳 (व्यभिचारिन�).—mfn. (-ī-ṇ�-) 1. Following or doing improper. 2. Going astray, (literally or figuratively.) n. (-ri) A property, or class of properties into which feelings and emotions, as objects of poetical description are classed; or the transitory feeling, (op. to ٳ⾱) which does not pervade a composition but, if properly developed at any stage, strengthens the prevailing sentiment. the Bhavas called Vyabhicharis are thirty-two in number, to which two others are sometimes added, making thirtyfour, viz:�1. Nirveda, humility, self-abasement; 2. Glani, weakness, exhaustion; 3. Sanka, apprehension; 4. Asua, calumny; 5. Mada, inebriety; 6. Shrama, fatigue; 7. Alasya, indolence; 8. Dainya, indigence, distress. 6. Chinta, secret desire; contemplation of the object beloved; 10. Mo4Ha, loss of sense or presence of mind from fear, anxiety, &c.; 11. Smriti, recollection but especially the recollection of an absent or faithless lover excited by present objects; 12. Dhriti, the enjoyment or consciousness of amatory woe, resignation or abandonment to despair, &c.; 13. Vrida, shame; 14. Chapalata, fickleness, unsteadiness, want of firmness and steadiness; 15. Harsa, delight; 16. Abega, hurry, flurried haste; 17. Jarata, ignorance, imbecility; 18. Garba, pride, arrogance; 19. Bishada, want of energy or spirits, depression of mind; 20. Autsukya, regret, painful remembrance of some object lost or absent; 21. Nidra, sluggishness, sleepiness; 22. Apasmara, epilepsy; 23. Supta, sleep; 24. Bibodha, waking; 25. Amarsha, wrathful impatience; 26. Abahit'Tha, dissimulation; 27. Ugrata, passion, rage; 28. Mati, intelligence, knowledge; 29. Upalambha, reviling; 30. Byadhi, sickness, disease; 31. Unmada, madness, delirium; 32. Marana, death; the other two are, 33. Trasa, fear; 34. Bitarka, doubt, deliberation. f. (-ṇ�) A wanton woman, an unchaste wife. E. vi and abhi before car to go, aff. ṇiԾ.

: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary

ղⲹ󾱳 (व्यभिचारिन�).—i. e. vi -abhi-car and ryabhicāra + in, I. adj., f. ṇ�. 1. Going astray, wanton, [ᾱٴDZ貹ś] pr. [distich] 21, M. M. 2. Doing what is improper. Ii. f. ṇ�, A wanton woman, Böhtl. Ind. Spr. 507.

: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary

ղⲹ󾱳 (व्यभिचारिन�).—[adjective] going asunder or astray, infidel, adulterous; going beyond, transgressing (—�).

: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary

1) ղⲹ󾱳 (व्यभिचारिन�):—[=-󾱳] [from vyabhi-car] mfn. going astray, straying or deviating or diverging from ([ablative]), [Harivaṃśa; Kāvya literature; Kathāsaritsāgara] etc.

2) [v.s. ...] following bad courses, doing what is improper, profligate, wanton, unchaste ([especially] said of women), faithless towards ([genitive case]), [Mahābhārata; Kāvya literature] etc.

3) [v.s. ...] changeable, inconstant (opp. to ٳ⾱; cf. ri-屹 above), [Mahābhārata; Sāhitya-darpaṇa; Pratāparudrīya]

4) [v.s. ...] (ifc.) transgressing, violating, breaking (See samaya-vy)

5) [v.s. ...] irregular, anomalous, [Monier-Williams� Sanskrit-English Dictionary]

6) [v.s. ...] (a word) having a non-primitive or secondary meaning, having several meanings, [ib.]

7) [=-󾱳] [from vyabhi-car] n. anything transitory (as feelings etc.), [ib.]

: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary

ղⲹ󾱳 (व्यभिचारिन�):—[ⲹ-] (rī-ṇ�-ri) a. Follow- ing or doing what is improper; going astray; adulterer. n. Whoredom or its effects; wrong course.

: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)

ղⲹ󾱳 (व्यभिचारिन�) in the Sanskrit language is related to the Prakrit word: ղ󾱳.

[Sanskrit to German]

context information

Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.

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