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Vithapana, Viṭhapana: 2 definitions

Introduction:

Vithapana means something in Buddhism, Pali, Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.

In Buddhism

Mahayana (major branch of Buddhism)

[«𱹾dzܲ Ա»] � Vithapana in Mahayana glossary
: academia.edu: A Study and Translation of the Gaganagañjaparipṛcchā

Viṭhapana (विठप�) refers to “creations�, according to the Gaganagañjaparipṛcchā: the eighth chapter of the Mahāsaṃnipāta (a collection of Mahāyāna Buddhist Sūtras).—Accordingly, as Gaganagañja said to Ratnapāṇi: “Son of good family, those sixty-four dharmas are included in one hundred twenty-eight dharmas. What are those one hundred twenty-four? [...] (21) the nature as a dream is included in recollecting and knowing what has been seen and learned, and one’s own experience of the dharma; (22) the nature as an illusion is included in creations (ṻ貹Բ) and fictions; (23) supernormal knowledges is included in reliance on meaning and knowledge; (24) skillful means is included in seeing by insight and having regard for living beings; [...]’�.

Mahayana book cover
context information

Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many ūٰ of which some of the earliest are the various Prajñāpāramitā ūٰ.

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Languages of India and abroad

Sanskrit dictionary

[«𱹾dzܲ Ա»] � Vithapana in Sanskrit glossary
: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionary

Viṭhapana (विठप�).�nt., and °nā, once viṣṭhapana (n. act. in -ana to next), fixation, establishment, creation, making; especially with implication of something illusory and fleeting: sarvadharmā ṻ貹Բ-(so with Mironov)-pratyupasthāna- lakṣaṇāḥ Ѳ屹ܳٱ貹ٳپ 185, all states of being are characterized by involvement in (illusory) creation; °na-pratyupasthāna- lakṣaṇam Ѳ屹ܳٱ貹ٳپ 7233, Tibetan rnam par bsgrub pa (this, or with bsgrubs, is the usual Tibetan rendering); māyākṛta� sarva- saṃskṛta� °na-pratyupasthāna-lakṣaṇam Śṣāsܳⲹ 180.4 (here māyākṛta� is decisive; Bendall and Rouse cite Tibetan as rnam par bsgrabs pas, read bsgrubs); Ҳṇḍū 524.1 corrupt, eṣāṃ dharmāṇāṃ dharmatā, aviṣṭhapana-(read viṣṭh°, for viṭh°)-pratyupasthāna-lakṣaṇāḥ…sarvadharma-(read °mā with 2d ed.) bodhisattvajñānādhiṣṭhitā�, eva� sva- bhāvāpariṇiṣpannā māyāsvapnapratibhāsopamā�; (sattvā- nāṃ�) citta-māyā-°na-tā� ٲśū첹ūٰ 74.4, the fact that creatures are created by mental illusion (compare māyopama� cittam iyam ucyate cittadharmatā Śṣāsܳⲹ 236.2); but in Śṣāsܳⲹ 236.3 this implication is hardly to be found: yat puna� sarvasva� parityajya sarvabuddhakṣetrapariśud- dhaye pariṇāmayatītīyam ucyate viṭhapanā (fem.); here, in a formal definition, the meaning seems to be firm fixation (Bendall and Rouse edification, which I do not find in it); at least no very clear suggestion of unreality seems found in the following: abhisaṃbodhivikurvita-°nena bodhisattva- samādhinā Ҳṇḍū 38.17�18; upāyakauśalya-°na-dharmatayā 469.18 (compare however Kāśyapa Parivarta 32.1, 7, s.v. ṻ貹ⲹپ); nt., °na, Ҳṇḍū 449.7, 15; f., °nā, 524.6; buddhakṣetra-°panāla�- kārābhinirhāratayā, or °nirhṛtatayā, or °nirhāra�, ٲśū첹ūٰ 39.14; 45.6; 55.17; same [compound] (°nirhāra�) with traidhātuka- instead of buddhakṣetra- 55.10�11, with rūpakāyalakṣa- ṇānuvyañjana- instead of id., 55.18�19; in this [compound] viṭhapanālaṃkāra is to be taken as a dvandva, establish- ment and adornment, as proved by reverse order in: vyūhālaṃkāra-viṭhapanā-prāptaś 62.11 (here f. °).

context information

Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.

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