Satvikabhinaya, 厂腻迟惫颈办腻产丑颈苍补测补, Satvika-abhinaya: 3 definitions
Introduction:
Satvikabhinaya means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
: archive.org: Illustrations of Indian Music and Dance in Western Indian Style (natya)厂腻迟惫颈办腻产丑颈苍补测补 (啶膏ぞ啶む啶掂た啶曕ぞ啶た啶ㄠく) or simply 蝉腻迟惫颈办补 refers to the first of four categories of abhinaya (histrionic representation). S膩tvika-abhinaya expresses the understanding and interpretation of various state in relation to sentiment. Abhinaya is the imitation of the thing seen by self or is an expression of sentiment experienced by oneself.
: Indian Classical Dances: Techniques of classical dancesSattwika (or psychological): One of the four Abhinaya (expressional aspect of dance). This is the representation of eight psychic conditions. These eight conditions are motion-lessness, perspiration, horripilation, and change of voice, trembling, change of colour, tears and fainting.
It is shown particularly by the eyes and as a whole by the entire being of the performer, who feels the mood, the character and the emotion as emerging from the self, not as an act or practical presentation.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)厂腻迟惫颈办腻产丑颈苍补测补 (啶膏ぞ啶む啶掂た啶曕ぞ啶た啶ㄠく) or simply S膩tvika refers to one of the four divisions of Abhinaya or 鈥渨ays to convey or represent one鈥檚 emotion to others鈥� (in Sanskrit Drama), according to the Vi峁ａ箛udharmottarapur膩峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擜bhinaya (鈥渁cting鈥�) is of four varieties, according to the Vi峁ａ箛udharmottarapur膩峁嘺. The last variety is called 蝉腻迟惫颈办腻产丑颈苍补测补 that deals with the feelings, emotions and expressions, conveyed by the actors. Flow of tears, horripilation, sweating, throbbing of heart and faultering speech come under the 蝉腻迟惫颈办腻产丑颈苍补测补. It is important to note here that in the N膩峁瓂a艣膩stra the word 产丑腻惫补产测补帽箩补办补 is used for the 蝉腻迟惫颈办腻产丑颈苍补测补. When the inner ideas of a dramatist are expressed by means of words, gestures, facial expressions and the representation of sattva, those are called 产丑腻惫补蝉. In the Abhinavabh膩rati commentary, the word 产丑腻惫补 and sattva are established by Abhinavagupta in a similar sense through the term 肠颈迟迟补惫峁泃迟颈 i.e., the state of mind or feeling.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
Partial matches: Satvika, Abhinaya.
Full-text: Satvika, Feeling, Expression, Tear, Sweating, Throbbing, Faultering speech, Flowing, Emotion, Horripilation, Abhinaya, Cittavritti.
Relevant text
Search found 3 books and stories containing Satvikabhinaya, 厂腻迟惫颈办腻产丑颈苍补测补, Satvika-abhinaya, S膩tvika-abhinaya; (plurals include: Satvikabhinayas, 厂腻迟惫颈办腻产丑颈苍补测补s, abhinayas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
1.3. Elements of Drama (a): Acting < [Chapter 3 - Drama and Dance]
Hastalaksanadipika a critical edition and study (by E. K. Sudha)
1. Relevance of Vacikabhinaya < [Chapter 7 - Vacikabhinaya according to Bharata鈥檚 Natyasastra]
9. Structure of the Natyashastra < [Chapter 2 - Bharata鈥檚 Dramaturgy]
3. Concept of Abhinaya in general < [Chapter 1 - Introduction]
Ramayana the World Over < [July 鈥� September 1975]