Samdashta, ³§²¹²Ô»å²¹á¹£á¹²¹, ³§²¹á¹ƒd²¹á¹£á¹²¹, Sandashta: 10 definitions
Introduction:
Samdashta means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit terms ³§²¹²Ô»å²¹á¹£á¹²¹ and ³§²¹á¹ƒd²¹á¹£á¹²¹ can be transliterated into English as Sandasta or Sandashta or Samdasta or Samdashta, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: NÄá¹ya-Å›Ästra1) ³§²¹²Ô»å²¹á¹£á¹²¹ (सनà¥à¤¦à¤·à¥à¤�) refers to one of the ten kinds of yamaka, according to NÄá¹yaÅ›Ästra chapter 17. Yamaka is one of the four “figures of speechâ€� (²¹±ô²¹á¹ƒkÄå°ù²¹), used when composing dramatic compositions (°ìÄå±¹²â²¹).
2) ³§²¹²Ô»å²¹á¹£á¹²¹ (सनà¥à¤¦à¤·à¥à¤�, “bittenâ€�) refers to one of the “five faultsâ€� (»å´Çá¹£a) of a singer according to the NÄá¹yaÅ›Ästra 32.519-525:—“voice produced by unduly using teeth, is called ²õ²¹²Ô»å²¹á¹£á¹²¹ (bitten) by good mastersâ€�.

Natyashastra (नाटà¥à¤¯à¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, ²ÔÄåá¹y²¹Å›Äå²õ³Ù°ù²¹) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Vyakarana (Sanskrit grammar)
: Wikisource: A dictionary of Sanskrit grammar³§²¹á¹ƒd²¹á¹£á¹²¹ (संदषà¥à¤Ÿ).—A fault of pronunciation when the constituent letters of a word are uttered with the teeth kept close together. Kaiyata has explained the word as वरà¥à¤§à¤¿à¤¤ (vardhita).

Vyakarana (वà¥à¤¯à¤¾à¤•रà¤�, vyÄkaraṇa) refers to Sanskrit grammar and represents one of the six additional sciences (vedanga) to be studied along with the Vedas. Vyakarana concerns itself with the rules of Sanskrit grammar and linguistic analysis in order to establish the correct context of words and sentences.
Purana and Itihasa (epic history)
: archive.org: Shiva Purana - English Translation³§²¹á¹ƒd²¹á¹£á¹²¹ (संदषà¥à¤Ÿ) refers to “biting (one’s lips)â€�, according to the ÅšivapurÄṇa 2.5.22 (“Description of Jalandhara’s Battleâ€�).—Accordingly, after Åšiva spoke to his Gaṇas: “[...] On seeing (±è°ù±ð°ìá¹£y²¹) the Daityas returning from the battle field, Jalandhara rushed at Åšiva discharging thousands of arrows. Thousands of leading Daityas, NiÅ›umbha, Åšumbha and others rushed at Åšiva, biting their lips (²õ²¹á¹ƒd²¹á¹£á¹²¹-»å²¹³¦³¦³ó²¹»å²¹). Similarly KÄlanemi the hero, Khaá¸garomÄ, BalÄhaka, Ghasmara, Pracaṇá¸a and others rushed at Åšiva. O sage, the heroes Åšumbha and others, covered the Gaṇas of Rudra with arrows and cut their limbs. [...]â€�.

The Purana (पà¥à¤°à¤¾à¤�, purÄṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary³§²¹á¹ƒd²¹á¹£á¹²¹ (संदषà¥à¤Ÿ).â€�p. p.
1) Bitten.
2) Pressed closely together, crushed; संदषà¥à¤Ÿà¤•à¥à¤¸à¥à¤®à¤¶à¤¯à¤¨à¤¾à¤¨à¤� (²õ²¹á¹ƒd²¹á¹£á¹²¹°ì³Ü²õ³Ü³¾²¹Å›²¹²â²¹²ÔÄå²Ô¾±) (²µÄå³Ù°ùÄåṇi) Åš.3.17.
3) Nipped; pinched.
-ṣṲ¹³¾ A particular fault in pronunciation.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary³§²¹á¹ƒd²¹á¹£á¹²¹ (संदषà¥à¤Ÿ).—[adjective] bitten, pressed (together).
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) ³§²¹á¹ƒd²¹á¹£á¹²¹ (संदषà¥à¤Ÿ):—[=²õ²¹á¹�-»å²¹á¹£á¹²¹] [from ²õ²¹á¹�-»å²¹á¹ƒÅ�] mfn. bitten, compressed, pressed closely together, pinched, nipped, [MahÄbhÄrata; KÄvya literature] etc.
2) [v.s. ...] n. a [particular] fault in pronunciation (arising from keeping the teeth too close together), [Ṛgveda-prÄtiÅ›Äkhya; Patañjali]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary³§²¹²Ô»å²¹á¹£á¹²¹ (सनà¥à¤¦à¤·à¥à¤�):—[(á¹£á¹aá¸�-á¹£á¹Ä-á¹£á¹aá¹�) p.] Bitten.
: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)³§²¹á¹ƒd²¹á¹£á¹²¹ (संदषà¥à¤Ÿ) in the Sanskrit language is related to the Prakrit word: ³§²¹á¹ƒd²¹á¹á¹²¹.
[Sanskrit to German]
Sanskrit, also spelled संसà¥à¤•ृतमà¥� (²õ²¹á¹ƒs°ìá¹›t²¹³¾), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpus³§²¹á¹ƒd²¹á¹£á¹²¹ (ಸಂದಷà³à²Ÿ):â€�
1) [adjective] seized, pierced or cut with the teeth; bitten.
2) [adjective] pressed forcefully; squeezed.
--- OR ---
³§²¹á¹ƒd²¹á¹£á¹²¹ (ಸಂದಷà³à²Ÿ):â€�
1) [noun] a man, animal or thing that is bitten (by another).
2) [noun] a fault or bad practice in speaking with both the sets of teeth sticking together.
3) [noun] (fig.) that which is blamed, reviled, abused.
4) [noun] anything that is under another’s control or subdued by another.
5) [noun] (dance.) biting the lips with the teeth.
6) [noun] a singing with both the rows of teeth sticking together, considered as a fault of the singer.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Starts with: Samdashtadacchada, Samdashtadantacchada, Samdashtadhara, Samdashtaka, Samdashtakusumashayana, Samdashtata, Samdashtaushtha, Samdashtayamaka.
Full-text: Sandashtayamaka, Samdashtata, Samdashtadacchada, Abhisamdashta, Samdashtadantacchada, Samdashtakusumashayana, Samdashtadhara, Samdashtaushtha, Samdashtaka, Vringana, Samdashtayamaka, Samdatta, Damsh, Sandashtadashanachada, Sadamsh, Yamaka, Pancadosha, Dacchada, Dosha, Dattha.
Relevant text
Search found 8 books and stories containing Samdashta, ³§²¹²Ô»å²¹á¹£á¹²¹, Sam-dasta, Saá¹�-daá¹£á¹a, ³§²¹á¹ƒd²¹á¹£á¹²¹, Sam-dashta, Samdasta, Sandasta, Sandashta; (plurals include: Samdashtas, ³§²¹²Ô»å²¹á¹£á¹²¹s, dastas, daá¹£á¹as, ³§²¹á¹ƒd²¹á¹£á¹²¹s, dashtas, Samdastas, Sandastas, Sandashtas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Abhijnana Shakuntala (synthetic study) (by Ramendra Mohan Bose)
Chapter 3 - Tritiya-anka (tritiyo'nkah) < [Abhijnana Sakuntalam, text and commentary]
Chapter 7 - Saptama-anka (saptamo'nkah) < [Abhijnana Sakuntalam, text and commentary]
Alamkaras mentioned by Vamana (by Pratim Bhattacharya)
2: Definition of Yamaka AlaṃkÄra < [Chapter 3 - ÅšabdÄlaṃkÄras mentioned by VÄmana]
1-2: The number of AlaṃkÄras (poetic figures) mentioned < [Chapter 5 - A Comparative study of the different ²¹±ô²¹á¹ƒkÄå°ù²¹s mentioned by VÄmana]
Natyashastra (English) (by Bharata-muni)
World Journal of Pharmaceutical Research
Review on khagendramani darpana � an unexplored treasure < [2023: Volume 12, December issue 21]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati used for the delineation of BhÄva and Rasa < [Chapter 3 - Application of gati in Dṛśya-°ìÄå±¹²â²¹s]
Abhijnana Sakuntala (with Katayavema commentary) (by C. Sankara Rama Sastri)
Chapter 3 - Sanskrit text (tritiya-anka) < [Abhijnana Sakuntalam, text and commentary]
Chapter 3 - Notes and Analysis of Third Act < [Abhijnana Sakuntalam, text and commentary]
Chapter 7 - Notes and Analysis of Seventh Act < [Abhijnana Sakuntalam, text and commentary]