Parivaradidevatakalpana, ʲ徱𱹲첹貹Բ, Parivaradidevata-kalpana: 1 definition
Introduction:
Parivaradidevatakalpana means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Shilpashastra (iconography)
: archive.org: Catalogue of Pancaratra Agama Texts (shilpa)ʲ徱𱹲첹貹Բ (परिवारादिदेवताकल्प�) (lit. “rules for the placement of the subsidiary deities� shrines and other matters�) is the name of chapter 10 (Kriyāpāda) of the ʲ峾ṃh: the most widely followed of Saṃhitā covering the entire range of concerns of Pāñcarātra doctrine and practice (i.e., the four-fold formulation of subject matter�ñԲ, yoga, and ) consisting of roughly 9000 verses.
Description of the chapter [貹徱𱹲첹貹Բ]: Bhagavān turns first to the courtyards [], of which there may be five that surround the temple sanctuary. He gives some directions for the construction and decorations of the courtyard walls (1-11). In front of the ṛh sanctum—in the innermost courtyard—will be built the ṇḍ貹 (12-17); in front of that the ṛtٲṇḍ貹, with decorative stair case leading up to it, etc., will rise (18-23a); in front of that yet another pavilion, called the Գٲṇḍ貹, will be built (23b-35) As for gopura-structures, these are but briefly mentioned (36-38a). Other ṇḍ貹-buildings may also be placed in the other courtyards (33b-45a) For all the constructions Բ rites are to be performed (45b-46a)
Decorative double doors only will be found throughout the temple compound; these may be made either of wood or metal (46b-63a) Guarding the entrances at the cardinal points of the sanctuary will be specified pairs of 屹첹 (63-76а).
Some details are given regarding the 첹ٳԲ-kitchen and its appointments (76b-83). Also mentioned are: various store-rooms for the icons� costumes; a dining-area for ԳپԲ; a treasury; a granary; cattle sheds; tank; etc. (84-93).
In each of the five courtyards it is proper to install certain aspects of the Lord [貹𱹲]. For examples, Garuḍa, Viṣvaksena, Śaṅkara, Kṣetrapāla, Ṣaṇmukha, etc., are in the first courtyard (94-99); Sūrya, Candra, Hayagrīva, and others will be located in the second courtyard (100-105); the twelve Ādityas, Manmatha, the Pitṛgaṇas, Gaṇeśa, etc., will be found in the third courtyard (106-1102); Upendra, the Gaṇadevatās, etc., will be placed in the fourth courtyard (110b-144a—no mention is made of the fifth courtyard).

Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
See also (Relevant definitions)
Partial matches: Kalpana.
Full-text: Pakasthana, Garbhagriha, Pitrigana, Ganadevata, Parivaradevata, Prakara, Nrittamandapa.
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