Limestone: 2 definitions
Introduction:
Limestone means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Vastushastra (architecture)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (vastu)Limestone is a recommended type of Stone to be used as a Material for the Construction of Temples, according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—Finding of proper types of materials is one of the important aspects for any construction. Indian scriptures state that to procure the stones, the astrologer and the architect should go to mountain and examine the stones. In the Viṣṇudharmottarapurāṇa a proper examination of stone is suggested in this regard. In connection with temple building some specific colours of stones are also recommended. Moreover, the use of limestone in the construction of temple is suggested in the Viṣṇudharmottarapurāṇa, but it is not advised for the construction of a house.
: OpenEdition books: Architectural terms contained in Ajitāgama and RauravāgamaLimestone (powder) is known by the Sanskrit term Śarkarā-Cūrṇa and represents one of the ingredients of the Aṣṭabandha type of Mortar (used for fixing together the Liṅga to its Pedestal), as discussed in the Ajitāgama and Rauravāgama.�(Original source: Les enseignements architecturaux de l'Ajitāgama et du Rauravāgama by Bruno Dagens).—The ṣṭԻ or “mortar with eight ingredients� is well known but its method of preparation and the nature of the eight components sometimes vary slightly from one text to another. The ingredients of ṣṭԻ are as follows according to the Ajita-āgama (18.216-218): shellac, hematite, beeswax, sarja resin, agalloch / agarwood resin, molasses, sesame oil and limestone powder (ś첹-ūṇa) (in French: de la poudre de pierre à chaux); these different products must be mixed and cooked so as to obtain a fluid substance to which an equal quantity of sarja resin , limestone powder and lime as well as buffalo butter will then be added.

Vastushastra (वास्तुशास्त्�, vāstuśāstra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
See also (Relevant definitions)
Starts with: Limestone fuchsia, Limestone paste, Limestone powder.
Full-text (+65): Cunakali, Cunakhadi, Cunakhada, Karkara, Limestone fuchsia, Cunakhani, Kalica Cuna, Chunakhaani, Cunadhungo, Cunakhana, Khalimatti, Unkal, Cunavata, Chunadhungo, Cukkiranilam, Cunekhana, Sunnagudi, Khalimati, Dudhe-khari, Kalumada.
Relevant text
Search found 46 books and stories containing Limestone; (plurals include: Limestones). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Kathasaritsagara (the Ocean of Story) (by Somadeva)
Part 4 - Assam, Burma, Annam and Siam < [Appendix 8.2 - The Romance of Betel-Chewing]
Part 18 - Eastern New Guinea < [Appendix 8.2 - The Romance of Betel-Chewing]
Prayogamanjari and Saivagamanibandhana (Study) (by R. Suthashi)
Notes for chapter 2 < [Chapter 2 - Shaiva iconography in Prayogamanjari]
World Journal of Pharmaceutical Research
Antimicrobial effects of flaxseed oil and limestone water. < [2018: Volume 7, June special issue 12]
Management of extragenital cutaneous warts through siddha medicine-a case report < [2021: Volume 10, January issue 1]
Acute and subacute toxicity study in gunmathikku nilavagai chooranam < [2019: Volume 8, July issue 8]
A Historical Study of Trika Shaivism (by Haroon Rashid Ganai)
Part 3 - Sculptures found in Kashmir < [Chapter 1 - Sources]
Amaravati Art in the Context of Andhra Archaeology (by Sreyashi Ray chowdhuri)
Sarvaṃdadavadāna (Sibi Jātaka) < [Chapter 3 - Amarāvatī and the Formative Stage of the Buddhist Art]
The Flaming Pillar (Agniskanda) < [Chapter 3 - Amarāvatī and the Formative Stage of the Buddhist Art]
Campeyya Jātaka < [Chapter 3 - Amarāvatī and the Formative Stage of the Buddhist Art]