Kartarimukhahasta, Kartarimukha-hasta, 碍补谤迟补谤墨尘耻办丑补丑补蝉迟补: 2 definitions
Introduction:
Kartarimukhahasta means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Shilpashastra (iconography)
: Shodhganga: The significance of the m奴la-beras (艣颈濒辫补)碍补谤迟补谤墨尘耻办丑补丑补蝉迟补 (啶曕ぐ啷嵿い啶班啶啶栢す啶膏啶�) or simply 碍补谤迟补谤墨尘耻办丑补 refers to 鈥渟cissors-like鈥� and represents one of the twenty-four gestures with a single hand, as defined according to texts dealing with 艣颈濒辫补 (arts and crafs), known as 艣颈濒辫补艣膩stras.鈥擜肠肠辞谤诲颈苍驳濒测, 辫谤补迟颈尘腻-濒补办峁峁嘺 (body postures of the icons) is comprised of hand gestures (hasta, 尘耻诲谤腻 or kai-amaiti), stances/poses (腻蝉补苍补蝉) and inflexions of the body (产丑补峁単补蝉). There are thirty-two types of hands [viz., 办补谤迟补谤墨尘耻办丑补丑补蝉迟补] classified into two major groups known as tolirkai (functional and expressive gestures) and elirkai (graceful posture of the hand).
(Description of 碍补谤迟补谤墨尘耻办丑补-hasta): This 尘耻诲谤腻 is formed with the thumb and ring finger together and curved inward into the palm, the little finger either held erect or bent slightly, the middle and index fingers held vertically upward with the middle finger leaning forward a little and the forefinger held back from it to indicate the open scissors鈥� effect.
Shilpashastra (啶多た啶侧啶ざ啶距じ啷嵿い啷嵿ぐ, 艣颈濒辫补艣膩stra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Natyashastra (theatrics and dramaturgy)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)碍补谤迟补谤墨尘耻办丑补丑补蝉迟补 (啶曕ぐ啷嵿い啶班啶啶栢す啶膏啶�) or simply 碍补谤迟补谤墨尘耻办丑补 refers to one of the twenty-two 础蝉补峁儁耻办迟补丑补蝉迟补蝉 or 鈥渟ingle hand gestures鈥� (in Indian Dramas), according to the Vi峁ａ箛udharmottarapur膩峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擳he hasta-尘耻诲谤腻s (lit. 鈥渉and-gestures鈥�) are very essential to denote some particular action or state in dancing and these 尘耻诲谤腻s are formed with the help of hands and fingers. In the Vi峁ａ箛udharmottarapur膩峁嘺, twenty two kinds of 补蝉补峁儁耻办迟补丑补蝉迟补蝉 (鈥渄ancing postures made only by single hand鈥�) are mentioned. e.g., 办补谤迟补谤墨尘耻办丑补丑补蝉迟补.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
Partial matches: Kartarimukha, Hasta.
Full-text (+28): Kartarimukha, Mahishasuramardini, Parthasarathi, Indra, Bhumivaraha, 叠补濒补蝉耻产谤补丑尘补峁噛补, Scissor, Hayagriva, Ulagalantha Perumal, Nirakatu Perumal, Vishvarupakrishna, Shrinivasa-sundaraja, Candrashekhara, Kalasamhara, Kiratamurti, Ashtadikpalaka, Falling, Dhanvantari, Candrashekar, Travelling.
Relevant text
Search found 3 books and stories containing Kartarimukhahasta, 碍补谤迟补谤墨尘耻办丑补-hasta, Kartarimukha-hasta, 碍补谤迟补谤墨尘耻办丑补丑补蝉迟补; (plurals include: Kartarimukhahastas, hastas, 碍补谤迟补谤墨尘耻办丑补丑补蝉迟补s). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Description of Gati as in Bharat膩r峁嘺va < [Chapter 2 - Concept and technique of Gati]
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
2.2. Hand Postures (a): Asa峁儁ukta-hasta < [Chapter 3 - Drama and Dance]
Temples of Munnur (Historical Study) (by R. Muthuraman)
Images of Brahma < [Chapter 5]