Ekapada, 贰办补辫腻诲补, 贰办补辫补诲腻, Eka-pada: 24 definitions
Introduction:
Ekapada means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Shilpashastra (iconography)
Source: Wisdom Library: Elements of Hindu Iconograpy贰办补辫腻诲补 (啶忇啶ぞ啶�):鈥擲econd of the eleven emanations of Rudra (别办腻诲补艣补-谤耻诲谤补), according to the 痴颈艣惫补办补谤尘补-艣颈濒辫补. He keeps in his left hand the 办丑补峁璿腻峁単补, 产腻峁嘺, chakra, 岣峚尘补谤耻, mudgara, varada, 补办峁尘腻濒腻, and 艣奴濒补; while the right hands keep the dhanus, 驳丑补峁囜弓补, 办补辫腻濒补, kaumudi (ardha-chandra?), 迟补谤箩补苍墨, 驳丑补峁璦, 辫补谤补艣耻 and chakra (艣akti?). It is stated that the worship of this deity secures to the votary all material enjoyments.
: Shodhganga: Iconographical representations of 艢iva (shilpa)贰办补辫腻诲补 (啶忇啶ぞ啶�) or 贰办补辫腻诲补尘奴谤迟颈 refers to one of the twenty-eighth forms (尘奴谤迟颈) of 艢iva mentioned in the 痴腻迟耻濒腻驳补尘补: twenty-eighth among the Siddh腻nta艣aiv腻gama. The forms of 艢iva (e.g., 贰办补辫腻诲补) are established through a process known as 厂腻诲腻办丑测补, described as a five-fold process of creation.
: Shodhganga: The significance of the m奴la-beras (艣ilpa)贰办补辫腻诲补 (啶忇啶ぞ啶�).鈥擨n iconography, 别办补辫腻诲补 does not come under the heading 蝉迟丑腻苍补办补, but is found under 蝉迟丑腻苍腻蝉补苍补. This posture is seen in image of K腻m腻k峁 (a form of 艢akti) in meditation.
Shilpashastra (啶多た啶侧啶ざ啶距じ啷嵿い啷嵿ぐ, 艣ilpa艣腻stra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Purana and Itihasa (epic history)
: archive.org: Puranic EncyclopediaEkapada (啶忇啶う).鈥擜 country of ancient Bh腻rata. The King and the people of this country came to the R腻jas奴ya of Yudhi峁ａ弓hira but were prevented from entering inside because of the uncontrollable crowd inside. (艢loka 17, Chapter 51, Sabh腻 Parva, 惭补丑腻产丑腻谤补迟补).
: archive.org: Shiva Purana - English Translation贰办补辫腻诲补 (啶忇啶ぞ啶�) refers to 鈥�(performed penance while) standing on only one leg鈥�, according to the 艢ivapur腻峁嘺 2.3.15 (鈥淭he penance and reign of T腻rak腻sura鈥�).鈥擜ccordingly, as Brahm腻 narrated: 鈥淸...] For a hundred years he [T腻raka] performed penance with his hands lifted up, standing on only one leg [i.e., 别办补辫腻诲补] and gazing at the sun. With his mind steady and firm he observed all sacred rites. Then for a hundred years, the lord and king of Asuras, T腻raka performed the penance: stood steady touching the ground with the single big toe. For hundred years he performed penance by drinking only water; another hundred years by sustaining himself on air alone, another hundred years standing in water and another hundred years standing on dry land. [...]鈥�.
: Cologne Digital Sanskrit Dictionaries: The Purana Index1a) 贰办补辫腻诲补 (啶忇啶ぞ啶�).鈥擜 Bhairava god.*
- * Brahm腻峁囜笉a-pur腻峁嘺 IV. 20. 82.
1b) A name of Vighne艣a.*
- * Brahm腻峁囜笉a-pur腻峁嘺 IV. 44. 68.
贰办补辫腻诲补 (啶忇啶ぞ啶�) is a name mentioned in the 惭补丑腻产丑腻谤补迟补 (cf. II.28.47, II.47.16) and represents one of the many proper names used for people and places. Note: The 惭补丑腻产丑腻谤补迟补 (mentioning 贰办补辫腻诲补) is a Sanskrit epic poem consisting of 100,000 艣濒辞办补蝉 (metrical verses) and is over 2000 years old.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana贰办补辫腻诲补 (啶忇啶ぞ啶�) or 贰办补辫腻诲补pur腻峁嘺 refers to one of the eighteen Minor Puranas (i.e., Upapur腻峁嘺) according to the Dev墨bh腻gavatapur腻峁嘺 and other traditional lists of Puranic literature: a category of ancient Sanskrit texts which gives a huge contribution in the development of Indian literature.鈥擳he Upapur腻峁嘺s (e.g., 别办补辫腻诲补-pur腻峁嘺) can be considered as the supplements of the Mah腻pur腻峁嘺s as those are mostly based on the Mah腻pur腻峁嘺s. The Saurapur腻峁嘺 considers the Upapur腻峁嘺s as khilas i.e., supplements. [...] Though the numbers of Upapur腻峁嘺s are specified as eighteen, there are many important Upapur腻峁嘺s which are excluded from the lists of Upapur腻峁嘺s given by different sources.
The Purana (啶啶班ぞ啶�, pur腻峁嘺s) refers to Sanskrit literature preserving ancient India鈥檚 vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Vyakarana (Sanskrit grammar)
: Wikisource: A dictionary of Sanskrit grammarEkapada (啶忇啶う).鈥擬ade up of one word; consisting of one word; cf. 啶呧ぅ啶掂ぞ 啶膏え啷嵿い啷嵿く啷�-啶曕お啶︵ぞ啶ㄠ啶お啷嵿く啶掂ぇ啶距ぐ啶｀ぞ啶ㄠた 啷� 啶ぅ啶� 啶呧が啷嵿き啶曕啶粪 啶掂ぞ啶啶啷嵿し啶� 啷� 啶呧お 啶忇さ 啶啷嵿し啶い啶� 啶掂ぞ啶啶さ 啶啷嵿し啶い啶� 啷� (athav腻 santye-kapa诲腻nyapyavadh腻ra峁嚹錸i | yath腻 abbhak峁 v腻yubhak峁岣� | apa eva bhak峁yati v腻yumava bhak峁yati |) M.Bh. first 膧hnika; (2) a continuous word paraphrased as 啶呧啶｀啶∴お啶� (补办丑补峁囜笉补辫补诲补) and 啶膏ぎ啶距え啶う (蝉补尘腻苍补辫补诲补) by commentators; cf. 啶む啶ㄠぞ啶ㄠえ啷嵿い啶班ぞ 啶粪し啷嵿啶啶曕お啶︵さ啶む (ten腻nantar腻 峁峁ａ弓hayekapadavat) V.Pr.II. 18: (3) every individual word: cf. 啶す啷佮啷嵿ぐ啶 啶曕啶班ぎ啷囙い 啶むじ啷嵿く啷堗啶う啶距え啶� 啶ㄠた啶冟じ啷冟啶ㄠ (bahukrame krameta tasyaikapa诲腻ni ni岣峁沯an) R.Pr.XI.18.
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贰办补辫补诲腻 (啶忇啶う啶�).鈥擬ade up of a single word; cf. 啶さ啶むた 啶氞啶むう啶曕じ啷嵿ぎ啶苦え啷嵿え啶た 啶忇啶掂ぐ啷嵿ぃ 啶う啶 啶忇啶う啶� 啶嬥啷� 啶忇啶班啶氞 啶膏啶曕啶むぎ啶苦い啶� 啷� (bhavati caitadakasminnapi ekavar峁嘺 padam ekapa诲腻 峁沰 ekarca峁� s奴ktamiti |) M. Bh. on P.I. 1.21 痴腻谤迟. 5; (2) made up of one foot (啶氞ぐ啶� (肠补谤补峁嘺) or 啶ぞ啶� (辫腻诲补)); cf. 啶忇 啶忇啶う啷堗い啷囙し啶距 (eka ekapadaite峁Ｄ遽箖) (R.Pr.XVII.24) explained by the commentator as 啶む啶粪ぞ啶� 啶氞い啷佮ぐ啷嵿ぃ啶距 啶ぞ啶︵ぞ啶ㄠぞ-啶し啷嵿啶距啷嵿し啶班ぞ啶︵啶ㄠぞ啶� 啶忇啶� 啶ぞ啶︵ 啶じ啷嵿く啶距 啶膏ぞ 啶忇啶う啶� 啶嬥啷� 啶囙い啷嵿く啷佮啷嵿く啶む 啷� (te峁Ｄ遽箖 catur峁嚹遽箖 p腻诲腻n腻-ma峁ａ弓腻k峁r腻诲墨n腻峁� eka岣� 辫腻诲补岣� yasy腻岣� s腻 ekapa诲腻 峁沰 ityucyate |)
Vyakarana (啶掂啶ぞ啶曕ぐ啶�, vy腻kara峁嘺) refers to Sanskrit grammar and represents one of the six additional sciences (vedanga) to be studied along with the Vedas. Vyakarana concerns itself with the rules of Sanskrit grammar and linguistic analysis in order to establish the correct context of words and sentences.
Shaktism (Shakta philosophy)
: Google Books: Manthanabhairavatantram1) 贰办补辫腻诲补 (啶忇啶ぞ啶�) refers to 鈥渢he 濒颈峁単补 of one foot鈥�, according to the second recension of the Yogakha峁囜笉a of the Manth腻nabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess Kubjik腻.鈥擜ccordingly, as the Goddess (i.e., Khage艣墨) said to the God (i.e., Bhairava), 鈥�(The Li峁単a has) one foot (别办补辫腻诲补鈥攊.e. E) . It is located in (the midst of) three energies and is adorned with the qualities of the three measures. (In five nights), O lord, I will burst apart the Li峁単a. I will reveal myself and I will tell you (the teachings of the) Kula鈥�.
Note: (Cf. Kum腻rik腻kha峁囜笉a 3.13-14ab):鈥擳he letter E has the shape of a small downward-facing triangle which is likened to a person standing on one foot. It represents the Li峁単a which is the core of the goddess鈥檚 尘补峁囜笉补濒补. It consists of three measures (尘腻迟谤腻). The syllable AI峁�, which is the sonic form of the goddess within the Li峁単a, consists of three and a half measures.
2) 贰办补辫腻诲补 (啶忇啶ぞ啶�) refers to the 鈥減lane of the one-footed鈥�, according to the Manth腻nabhairavatantra.鈥擜ccordingly, 鈥淭he plane of the One-footed (别办补辫腻诲补 i.e. the letter E) is where the Skyfarer is in the Skyfarer within the Cavity of the Hair. 艢r墨deva is above Meru (the triangle above the head) (尘别谤耻辫补艣肠颈尘补) in the essential nature of the Void (kha), which is the threefold measure (of energy) (尘腻迟谤补). [...]鈥�.
3) 贰办补辫腻诲补 (啶忇啶ぞ啶�) refers to one of the eight Guardians (办峁迟谤补辫腻濒补-补峁ａ弓补办补) associated with N腻dap墨峁環a (identified with Kul奴ta), according to the Manth腻nabhairavatantra.鈥擺...] The eight Guardians (办峁迟谤补辫腻濒腻峁ａ弓补办补): 贰办补辫腻诲补, Budbuda, Gha峁囜弓腻v腻danaka, Ghora, Gharghara, Valkala, L墨la, La峁卥e艣vara.
: Shodhganga: Iconographical representations of 艢iva (shaktism)贰办补辫腻诲补 (啶忇啶ぞ啶�) or 贰办补辫腻诲补tantra refers to one of the thirty-three Dak峁峁嘺tantras, belonging to the 艢腻办迟腻驳补尘补 (or 艢腻ktatantra) division of the 膧驳补尘补 tradition. The 艢腻办迟腻驳补尘补s represent the wisdom imparted by Dev墨 to 莫艣vara and convey the idea that the worship of 艢akti is the means to attain liberation. According to the Prati峁ａ弓h腻lak峁峁嘺samuccaya of Vairocana, the 艢腻ktatantras are divided into to four parts, the 贰办补辫腻诲补-tantra belonging to the Dak峁峁嘺 class.
Shakta (啶多ぞ啶曕啶�, 艣腻kta) or Shaktism (艣腻ktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Natyashastra (theatrics and dramaturgy)
: Shodhganga: The significance of the m奴la-beras (natya)贰办补辫腻诲补 (啶忇啶ぞ啶�) is one of the six divisions of 蝉迟丑腻苍补办补, one of the nine 尘补峁囜笉补濒补 (postures of the feet) which in turn represents one of the four 鈥渕ovements of the feet鈥� (辫腻诲补) according to the Abhinayadarpa峁嘺. 贰办补辫腻诲补-蝉迟丑腻苍补办补 is found in both the arts as standing on one leg and placing the other leg on the knee of the first leg obliquely or placed on the genitals of the image with the foot facing upward. In iconography, this division of 别办补辫腻诲补 does not come under the heading 蝉迟丑腻苍补办补, but is found under 蝉迟丑腻苍腻蝉补苍补.
: Shodhganga: Kohala in the Sanskrit textual tradition (ns)Ekapada (啶忇啶う) or Ekapadaku峁弓it腻 refers to one of twenty-five Madhupa types of De艣墨 varieties of C腻r墨s鈥斺�渕ovements that involve the simultaneous movement of the feet, shanks and the hip鈥�, according to Kallin腻tha鈥檚 Kal腻nidhi commentary on 艢腻r峁単adeva鈥檚 Sa峁単墨taratn腻kara, 7.1016 (Vol. IV, pp.313-317).鈥斉毮錼峁単adeva names and explains 诲别艣墨肠腻谤墨蝉 of the 腻办腻艣颈办墨-肠腻谤墨蝉 and 腻办腻艣颈办墨-肠腻谤墨蝉 varieties described in Bharata鈥檚 N腻峁瓂a艣腻stra. Kallin腻tha also mentions a particular variety of 诲别艣墨-肠腻谤颈蝉 called 尘补诲丑耻辫补肠腻谤墨蝉. The 尘补诲丑耻辫补-肠腻谤墨蝉 [e.g., Ekapada-ku峁弓it腻] have not been dealt with either by Bharata or 艢腻r峁単adeva. Kallinatha gives a list of twenty five 尘补诲丑耻辫补-肠腻谤墨蝉, as enumerated by Kohala in his work 厂补峁単墨迟补尘别谤耻
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Jyotisha (astronomy and astrology)
Source: Wisdom Library: Brihat Samhita by VarahamihiraEkapada (啶忇啶う) refers to a country belonging to 鈥淧奴rv腻 or P奴rvade艣a (eastern division)鈥� classified under the constellations of 膧rdr腻, Punarvasu and Pu峁a, according to the system of 碍奴谤尘补惫颈产丑腻驳补, according to the B峁沨atsa峁僪it腻 (chapter 14), an encyclopedic Sanskrit work written by Var腻hamihira mainly focusing on the science of ancient Indian astronomy astronomy (Jyoti峁).鈥擜ccordingly, 鈥淭he countries of the Earth beginning from the centre of Bh腻ratavar峁 and going round the east, south-east, south, etc., are divided into 9 divisions corresponding to the 27 lunar asterisms at the rate of 3 for each division and beginning from K峁泃tik腻. The constellations of 膧rdr腻, Punarvasu and Pu峁a represent the eastern division consisting of [i.e., Ekapada] [...]鈥�.
Jyotisha (啶溹啶啶むた啶�, 箩测辞迟颈峁 or jyotish) refers to 鈥榓stronomy鈥� or 鈥淰edic astrology鈥� and represents the fifth of the six Vedangas (additional sciences to be studied along with the Vedas). Jyotisha concerns itself with the study and prediction of the movements of celestial bodies, in order to calculate the auspicious time for rituals and ceremonies.
Sports, Arts and Entertainment (wordly enjoyments)
: archive.org: Syainika Sastra of Rudradeva with English Translation (art)贰办补辫腻诲补 (啶忇啶ぞ啶�) refers to 鈥渟tanding on one leg鈥� (as part of the training of hawks), according to the 艢测补颈苍颈办补-艣腻蝉迟谤补: a Sanskrit treatise dealing with the divisions and benefits of Hunting and Hawking, written by R腻j腻 Rudradeva (or Candradeva) in possibly the 13th century.鈥擜ccordingly, [while discussing the training of hawks]: 鈥淸...] Whether it is 鈥榤anned鈥� or not is to be known by its actions. When it stands on one leg (别办补辫腻诲补) [caikap腻dena vai ya诲腻] with the eyes closed, when it preens or 鈥� reforms鈥� its feathers, when it 鈥榤antles鈥� with its wings, or looks with a gentle eye at its master, then it is known to be 鈥榤anned鈥�, otherwise not. When the hawk is seen to be manned it should be lured in a creance to a piece of meat from increasing distances. [...]鈥�.
This section covers the skills and profiencies of the Kalas (鈥減erforming arts鈥�) and Shastras (鈥渟ciences鈥�) involving ancient Indian traditions of sports, games, arts, entertainment, love-making and other means of wordly enjoyments. Traditionally these topics were dealt with in Sanskrit treatises explaing the philosophy and the justification of enjoying the pleasures of the senses.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionaryEkapada (啶忇啶う).鈥�a.
1) one-footed.
2) consisting of or named in one word. (-dam) 1 a single step.
2) single or simple word.
3) the time required to pronounce a single word.
4) present time, same time; (-诲补岣�) 1 a man having one foot.
2) a kind of coitus (ratibandha).
-de ind. suddenly, all at once, abruptly; 啶ㄠた啶灌え啷嵿い啷嵿く啶班啶ㄠ啶曕お啶︵ 啶� 啶夃う啶距い啷嵿い啶� 啶膏啶掂ぐ啶距え啶苦さ (nihantyar墨nekapade ya u诲腻tta岣� svar腻niva) 艢i艣up腻lavadha 2.95; R.8.48; K.45; V.4.3.
-诲腻 a verse consisting of only one P腻da or quarter stanza. (-诲墨) 1 a woman having one foot.
Ekapada is a Sanskrit compound consisting of the terms eka and pada (啶う).
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贰办补辫腻诲补 (啶忇啶ぞ啶�).鈥�a.
1) having only one foot; 啶むい啷嵿ぐ 啶多た啶多啶班た啶啶洁 啶忇啶ぞ啶︵ (tatra 艣i艣riye'ja 别办补辫腻诲补岣�) Av.13.1.6.
2) using only one foot. (-诲补岣�) 1 one or single foot.
2) one and the same P腻da.
3) Name of Vi峁ａ箛u and 艢iva.
贰办补辫腻诲补 is a Sanskrit compound consisting of the terms eka and 辫腻诲补 (啶ぞ啶�).
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English DictionaryEkapada (啶忇啶う).鈥攁dv. n.
(-诲补峁�) Then, at that time, at once. m.
(-诲补岣�) A single inflection of a verb or noun. f. (-诲墨) A road, a path or way. E. eka one, pada a foot, fem. affix 峁吥玴.
: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English DictionaryEkapada (啶忇啶う).鈥擨. adj. 1. having one foot. 2. consisting of one word. Ii. m. pl. The name of a people. Iii. loc. de, adv. on a sudden, [Kath腻sarits腻gara, (ed. Brockhaus.)] 22, 203.
Ekapada is a Sanskrit compound consisting of the terms eka and pada (啶う).
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贰办补辫腻诲补 (啶忇啶ぞ啶�).鈥擨. adj., f. 诲腻. 1. one-footed. 2. using only one foot. Ii. m. the name of a fabulous people.
贰办补辫腻诲补 is a Sanskrit compound consisting of the terms eka and 辫腻诲补 (啶ぞ啶�).
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English DictionaryEkapada (啶忇啶う).鈥�1. [neuter] one and the same spot; one (and the same) word.
鈥� ekapadam & ekapade on the spot, at once, suddenly.
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Ekapada (啶忇啶う).鈥�2. [adjective] measuring only one step; having one foot; consisting of one word.
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贰办补辫腻诲补 (啶忇啶ぞ啶�).鈥�1. [masculine] one foot.
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贰办补辫腻诲补 (啶忇啶ぞ啶�).鈥�2. [adjective] one-footed; [feminine] 腻 [Name] of a R腻k峁s墨.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) Ekapada (啶忇啶う):鈥擺=eka-pada] [from eka] n. one and the same place or spot
2) [v.s. ...] the same panel, [Agni-pur腻峁嘺]
3) [v.s. ...] a single word, [V腻jasaneyi-sa峁僪it腻-pr腻ti艣腻khya; 艢i艣up腻la-vadha]
4) [v.s. ...] a simple word, a simple nominal formation, [Nirukta, by Y腻ska]
5) [v.s. ...] one and the same word, [V腻jasaneyi-sa峁僪it腻-pr腻ti艣腻khya i, 111]
6) [=eka-pada] [from eka] mf(腻 and 墨 [膧艣val腻yana-g峁沨ya-s奴tra])n. taking one step, [膧艣val腻yana-g峁沨ya-s奴tra i, 7, 19]
7) [v.s. ...] having only one foot, [艢atapatha-br腻hma峁嘺; Bh腻gavata-pur腻峁嘺]
8) [v.s. ...] occupying only one panel, [Hem腻dri鈥檚 Caturvarga-cint腻ma峁噄]
9) [v.s. ...] consisting of a single word, named with a single word, [惭补丑腻产丑腻谤补迟补; V腻jasaneyi-sa峁僪it腻-pr腻ti艣腻khya; Atharvaveda-pr腻ti艣腻khya] etc.
10) [v.s. ...] m. a kind of coitus
11) 贰办补辫补诲腻 (啶忇啶う啶�):鈥擺=eka-pa诲腻] [from eka-pada > eka] f. ([scilicet] 峁沜) a verse consisting of only one P腻da or quarter stanza, [艢atapatha-br腻hma峁嘺; 峁歡veda-pr腻ti艣腻khya]
12) [v.s. ...] Name of the twenty-fifth lunar mansion (= p奴rva-bh腻dra-pa诲腻), [Var腻ha-mihira鈥檚 B峁沨at-sa峁僪it腻]
13) Ekapada (啶忇啶う):鈥擺=eka-pada] [from eka] m. [plural] Name of a fabulous race, [Var腻ha-mihira鈥檚 B峁沨at-sa峁僪it腻]
14) 贰办补辫腻诲补 (啶忇啶ぞ啶�):鈥擺=eka-辫腻诲补] [from eka] m. a single foot, [惭补丑腻产丑腻谤补迟补; Bh腻gavata-pur腻峁嘺]
15) [v.s. ...] one quarter, [惭补丑腻产丑腻谤补迟补 xii]
16) [v.s. ...] the same P腻da or quarter stanza, [峁歡veda-pr腻ti艣腻khya 100]
17) [v.s. ...] mfn. having or using only one foot, [Atharva-veda xiii, 1, 6; 惭补丑腻产丑腻谤补迟补]
18) [v.s. ...] m. [plural] Name of a fabulous people, [惭补丑腻产丑腻谤补迟补 ii]
19) [v.s. ...] n. Name of a country (cf. eka-pad, [column]2.)
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English DictionaryEkapada (啶忇啶う):鈥擺eka-pada] (da峁�) adv. Then, at that time.
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpus膾ka辫腻诲补 (嗖忇矔嗖簿嗖�):鈥�
1) [adjective] having one leg only.
2) [adjective] using one leg only.
--- OR ---
膾ka辫腻诲补 (嗖忇矔嗖簿嗖�):鈥�
1) [noun] the posture of standing on one leg only.
2) [noun] the idol of 艢iva, in such a posture.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Starts with (+9): Ekapada Jataka, Ekapada-Trimurti, Ekapadabakasana, Ekapadagalavasana, Ekapadagati, Ekapadaka, Ekapadakakukkutasana, Ekapadakasana, Ekapadakaundinyasana, Ekapadam, Ekapadamayurasana, Ekapadamurti, Ekapadapurana, Ekapadarajakapotasana, Ekapadari, Ekapadasana, Ekapadasarvangasana, Ekapadasetubandhasarvangasana, Ekapadashirshasana, Ekapadastha.
Full-text (+53): Ajaikapada, Aikapadika, Ekapadam, Ekapadavat, Ekapadastha, Ekapadapurana, Ekapadavibhuti, Ekapadashirshasana, Parshvaikapadashirshasana, Parivrittaikapadashirshasana, Parshvaikapadasarvangasana, Ekapadarajakapotasana, Ekapadordhvadhanurasana, Ekapadamurti, Ekapadabakasana, Ekapadagalavasana, Ekapadakaundinyasana, Ekapadasarvangasana, Ekapadaviparitadandasana, Ekapadasetubandhasarvangasana.
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Search found 48 books and stories containing Ekapada, 贰办补辫腻诲补, 贰办补辫补诲腻, Eka-pada, Eka-辫腻诲补, Eka-pa诲腻, 膾ka辫腻诲补; (plurals include: Ekapadas, 贰办补辫腻诲补s, 贰办补辫补诲腻s, padas, 辫腻诲补s, pa诲腻s, 膾ka辫腻诲补s). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
List of Mahabharata people and places (by Laxman Burdak)
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
Notices of Sanskrit Manuscripts (by Rajendralala Mitra)
Studies in the Upapuranas (by R. C. Hazra)
Chapter 9.8 - The Ekapada-purana (study)
Chapter 1 - The Upapurana literature鈥攊ts extent, antiquity and origin
Satapatha-brahmana (by Julius Eggeling)
Kanda VIII, adhyaya 2, brahmana 4 < [Eight Kanda]
Kanda X, adhyaya 5, brahmana 4 < [Tenth Kanda]
Kanda VIII, adhyaya 6, brahmana 2 < [Eight Kanda]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati in Yak峁g腻na < [Chapter 4 - Practice of Gati]
Gati in classical dance form of O岣峣ssi < [Chapter 4 - Practice of Gati]
Description of Gati in Abhinayadarpa峁嘺 < [Chapter 2 - Concept and technique of Gati]
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