Asamyuta, 础蝉补峁儁耻迟补: 7 definitions
Introduction:
Asamyuta means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra础蝉补峁儁耻迟补 (啶呧じ啶傕く啷佮い) refers to 鈥渟ingle hand鈥�, according to the N膩峁瓂a艣膩stra chapter 9. It is one of the three classes of 鈥榞estures and movements of hands鈥�. The hands (hasta) form a part of the human body which represents one of the six major limbs (补峁単补) used in dramatic performance. With these limbs are made the various gestures (腻峁単颈办补), which form a part of the histrionic representation (abhinaya).
There are twenty-four 鈥榞estures of single hands鈥� defined:
- 辫补迟腻办补,
- tri辫补迟腻办补,
- 办补谤迟补谤墨尘耻办丑补,
- ardhacandra,
- 补谤腻濒补,
- 艣耻办补迟耻峁囜笉补,
- 尘耻峁ａ弓颈,
- 艣颈办丑补谤补,
- kapittha,
- 办补峁璦办腻尘耻办丑补,
- 蝉奴肠测腻蝉测补 or 蝉奴肠墨尘耻办丑补,
- 辫补诲尘补办辞艣补,
- 蝉补谤辫补艣颈谤补蝉,
- 尘峁沢补艣墨谤峁,
- 办腻峁単耻濒补,
- alapadma or alapallava,
- catura,
- bhramara,
- 丑补峁僺腻蝉测补,
- 丑补峁僺补辫补办峁,
- 蝉补苍诲补峁兣沘,
- 尘耻办耻濒腻,
- 奴谤峁嘺苍腻产丑补,
- 迟腻尘谤补肠奴岣峚.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shilpashastra (iconography)
: Shodhganga: Vaisnava Agamas And Visnu Images础蝉补峁儁耻迟补 (啶呧じ啶傕く啷佮い) refers to 鈥渉and gestures using one hand鈥�, as defined in treatises such as the P膩帽car膩tra, P膩dmasa峁僪it膩 and Vaikh膩nasa-膩gamas, extensively dealing with the technical features of temple art, iconography and architecture in Vaishnavism.鈥擳he Vai峁ａ箛ava Agamic treatises refer to two types of hastas or 尘耻诲谤腻蝉 viz. 蝉补峁僼测耻迟补 (combined) i.e. using both the hands and 补蝉补峁儁耻迟补 i.e. using one hand. One can find a number of hand gestures in these texts out of the well-known thirty-two major hand poses, twelve hand movements and twenty-four combined hand poses.
Shilpashastra (啶多た啶侧啶ざ啶距じ啷嵿い啷嵿ぐ, 艣ilpa艣膩stra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary础蝉补峁儁耻迟补 (啶呧じ啶傕く啷佮い).鈥�a. Unblended, ununited.
-迟补岣� An epithet of Vi峁ａ箛u.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) 础蝉补峁儁耻迟补 (啶呧じ啶傕く啷佮い):鈥擺=补-蝉补峁儁耻迟补] mfn. not combined, unmixed, [Bh膩gavata-pur膩峁嘺]
2) [v.s. ...] not put together (as the hands), [Pur膩峁嘺-sarvasva]
3) [v.s. ...] m. a Name of Vi峁ａ箛u, [cf. Lexicographers, esp. such as amarasi峁僪a, hal膩yudha, hemacandra, etc.]
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpus础蝉补峁儁耻迟补 (嗖呧哺嗖傕帛喑佮菠):鈥擺noun] (dance.) any of the single-handed gestures in dancing.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Starts with: Asamyutahasta.
Full-text (+13): Katakamukha, Shikhara, Kangula, Asamyutahasta, Kapittha, Sarpashiras, Mrigashirsha, Hamsapaksha, Padmakosha, Arala, Tamracuda, Alapallava, Mukula, Alapadma, Alapadmaka, Sucimukha, Khatakamukha, Samyuta, Mushti, Sucyasya.
Relevant text
Search found 8 books and stories containing Asamyuta, 础蝉补峁儁耻迟补, A-samyuta, A-sa峁儁uta; (plurals include: Asamyutas, 础蝉补峁儁耻迟补s, samyutas, sa峁儁utas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Part 5.1 - Manuscript Details of the Abhinaya艣膩stra / Kohal墨yam < [Chapter 4 - Works attributed to Kohala]
Kohala and N峁泃ya (3): The concept of Hasta < [Chapter 2 - Kohala as seen in citations]
Part 2.2 - Contents of Dattilakohal墨yam < [Chapter 4 - Works attributed to Kohala]
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
Natyashastra (English) (by Bharata-muni)
Chapter IX - Gestures of Major Limbs (补峁単补)
Part 4 - The Ancient Indian Drama in Practice < [Introduction, part 1]
Brahma Sutras (Govinda Bhashya) (by Kusakratha das Brahmacari)
S奴tra 1.2.24 < [Adhyaya 1, Pada 2]
Hastalaksanadipika a critical edition and study (by E. K. Sudha)
1. Author, place and date of the Hastalaksanadipika < [Chapter 3 - Later developments of dramatic techniques]
3. Concept of Abhinaya in general < [Chapter 1 - Introduction]
5. study of Balaramabharata < [Chapter 3 - Later developments of dramatic techniques]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Description of Gati in Abhinayadarpa峁嘺 < [Chapter 2 - Concept and technique of Gati]
Gati in vehicles < [Chapter 3 - Application of gati in D峁浥泍a-k膩vyas]
Elements of 膧峁単ika-abhinaya in N膩峁瓂a艣膩stra < [Chapter 1 - N膩峁瓂a]