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Significance of Sentiment

Sentiment, as described in various texts, encompasses the emotional tones and themes that unify poetic and dramatic works. In the Arthashastra, it embodies the core emotional essence, while in the Purana, it includes states like fear and pathos. The Natyashastra further elaborates on sentiment as the emotional responses evoked in drama, categorized by various emotional types, and critical for audience engagement. Overall, sentiment plays a vital role in the emotional landscape of literary and performance arts throughout Indian traditions.1
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Synonyms: Emotion, Feeling, Attitude, Opinion, Viewpoint, Tone, Perspective, Disposition, Notions

In Dutch: Sentiment; In Finnish: Tunnelma; In Spanish: Sentimiento; In German: 骋别蹿眉丑濒

The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.

Hindu concept of 'Sentiment'

Hinduism Books

In Hinduism, Sentiment, or rasa, encompasses emotional responses evoked in drama through complex interactions of determinants and consequents, enhancing audience engagement and influencing the narrative via emotional expressions and thematic elements across performances.

Significance in Natyashastra (theatrics and dramaturgy):
Natyashastra Books

From: Natyashastra (English)

(1) Sentiments, or rasa, are emotional responses derived from various combinations of Determinants and Consequents, which evoke feelings during a dramatic presentation.[1] (2) Emotional expressions conveyed through musical performances, which can be categorized according to the Jatis and reflected in the musical content.[2] (3) The emotional expressions and themes present in the Dhruva performances, which guide the selection of the type.[3] (4) The emotional tones expressed in drama, such as Heroic and Pathetic, which influence the appropriate style used.[4] (5) The emotional themes conveyed through the actions and dialogues of the characters, essential to the narrative structure.[5]

Natyashastra refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

The concept of Sentiment in local and regional sources

History Books

Sentiment encompasses emotions and feelings expressed by MALTI, often diverging from societal norms. In Hindu dramaturgy, it signifies a consistent emotional reaction from audiences based on their personal experiences with the drama's narrative.

Significance in India history and geography:

From: Triveni Journal

(1) A term used by MALTI to express emotions and feelings that may not necessarily align with societal expectations.[6] (2) In Hindu dramaturgy, a permanent state of emotional response elicited from the audience, derived from their personal experiences related to the drama's actions.[7]

From: The Complete Works of Swami Vivekananda

(1) This is a feeling that often replaces duty and is mistaken for genuine affection, causing individuals to believe they are acting from a place of sincerity.[8] (2) For months the writer has been practicing to drive away all these, indicating emotional control.[9]

Plural form: Gevoelens.