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Significance of Chapter 12

Vaishnavism's Chapter 12 is a specific segment within Adi-khanda that encompasses verses pertaining to its teachings. This chapter highlights essential doctrinal elements and practices significant to the belief system. The teachings illustrated in this section provide insights into the core principles of Vaishnavism, fostering a deeper understanding of its philosophy and guiding followers in their devotional journey.1
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In Dutch: Hoofdstuk 12; In Finnish: Luku 12

The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.

Buddhist concept of 'Chapter 12'

Buddhism Books

Chapter 12 in Buddhism highlights the Bhikkhu's journey towards solace following the Kathina ceremony, emphasizing the pursuit of inner peace and spiritual comfort as critical aspects of the monastic experience.

Significance in Theravada (major branch of Buddhism):
Theravada Books

From: Vinaya (2): The Mahavagga

(1) The specific section of the sacred text that discusses the Bhikkhu's quest for comfort after the Kathina ceremony.[1]

Theravada is a major branch of Buddhism having the the Pali canon (tipitaka) as their canonical literature, which includes the vinaya-pitaka (monastic rules), the sutta-pitaka (Buddhist sermons) and the abhidhamma-pitaka (philosophy and psychology).

Hindu concept of 'Chapter 12'

Hinduism Books

Chapter 12 in Hinduism, part of Adi-khanda, encompasses teachings that offer significant insights into the spiritual path, emphasizing principles essential for understanding and practicing one’s faith within the broader context of Hindu philosophy.

Significance in Vaishnavism (Vaishava dharma):
Vaishnavism Books

From: Chaitanya Bhagavata

(1) A specific section of Adi-khanda that includes verses relevant to the teachings being described.[2]

Vaishnava or vaishnavism (vaishnavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnu�).