Essay name: Buddhist iconography in and outside India (Study)
Author:
Purabi Gangopadhyay
Affiliation: University of Calcutta / Department of Ancient Indian History and Culture
This work aims to systematically present the development and expansion of Mahayana-Vajrayana Buddhist iconography from India to other countries, such as China, Korea, and Japan. This study includes a historical account of Indian Buddhist iconography and the integration of Brahmanical gods into the Mahayana-Vajrayana phase.
Chapter 2: Indian Buddhist Iconography (a Comparative Study)
2 (of 27)
External source: Shodhganga (Repository of Indian theses)
Download the PDF file of the original publication
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
;
- 20
conceptual proximity to the terrific Bhairava aspect of major
Brahmanical god Śiva.
Nispannayoqävali, the celebrated Buddhist text of
c. 12th century A .D. gives us a detailed idea about the large
number Brahmanical divinities that are included in the Buddhist
pantheon. Nispannayogāvalī is a unique work on Mandal and
is remarkable for its richness of informations on the host of
Buddhist as well as Buddhist-Brahmanical deities. The
Mañjuvara Mandala of the above mentioned work described
different deities, e.g. the sixteen Bodhisattvas, the twelve
pāramitās, the twelve Vasistas and etc.
Most of these deities are
A perusal of Nispannayogāvalī, Sadhanamālā and other
Buddhist texts shows that Buddhism incorporated many Brahma-
nical deities in different manner.
converted to Buddhist faith which are evidenced by the fact
that a large number of these deities are still revered with
great honour in purely Buddhist countries.
The study of the method of classification of the
Brahmanical gods determining their colours and directions are
highly interesting. Sometimes they are given very humiliating
roles and some of the deities are often trampled under the
feet of the angry Buddhist gods to show their aversion to the
Brahmanical faith. Gaṇeśa, as for example, is found trampled
by different Buddhist gods. Similarly four important
1. Sādhanamālā composed in A.D. 1165..
